New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tangents / Sun, Audiopad, Kafka

Sam Phillips passed away last week, on July 30, 2003. Regarded as one of the founders of rock’n’roll, thanks to his work with Elvis Presley, Ike Turner and others, Phillips was also an early experimenter in recording-studio technology. An obituary in the Memphis newspaper, the Commercial Appeal, summed up Phillips’ Sun Studio innovation well: “Beyond producing the music made there, Phillips cooked up the room’s angled white-tile ceiling and walls, a clever sonic design envisioned … as if an oversize speaker were on its side. Many have commented on its unique design, which contributed to what we know as the ‘Sun sound.’ Onetime Sun engineer/songwriter/producer Jack Clement has even described the studio as an instrument in and of itself.” (Click here for the full text of the July 26, 2003, obit.) … (2) reported on a new musical interface, the Audiopad, developed at MIT by James Patten and Ben Recht. Click here for the July 31, 2003, news story and here for the Audiopad’s website. … (3) Composer Max Richter has launched his website. Richter has recorded with Future Sound of London and Roni Size and he released his own album, memoryhouse, last year on the BBC’s Late Junction label. He is preparing a new album, The Blue Notebooks, inspired by Franz Kafka, for release on the FatCat label’s 130701 imprint.

By Marc Weidenbaum

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