Let’s close out the week with a new (yes, new) track in the Other Minds catalog at the voluminous Internet Archive, at archive.org. Up as of this evening are seven live entries from this year’s Other Minds festival in San Francisco (the series’ 11th), among them a 20-minute piece by septuagenarian legend Phill Niblock, “Sethwork,” in which he performs on vaguely termed “electronics” along with guitarist Seth Josel, who employs an e-bow to extend his tones to the horizon (yes, the e-bow is the same tool that long ago distinguished the Celtic rock of the band Big Country). “Sethwork” was performed on February 24, 2005, at the city’s Yerba Buena Center for the Arts. The piece is an absolutely beautiful drone, a slowly cycling hum that enacts its epiphanies not as singular peaks but as an extended experience of intense tonality. You could argue that epiphanies are to ambient music what redemption is to literary fiction: a crutch, if not an outright cliche. But work like Niblock’s also suggests that the epiphany is a defining, inherent characteristic of ambient music. Either way, “Sethwork” is deeply imbued with it. (The file is only downloadable via FTP, but the site provides clear instructions; just search for “niblock.” The search also brings up an older entry, a continuous, 45-minute live recording of a record-release party held in 1980 at the New York City venue the Kitchen for Laurie Anderson’s “O Superman,” in which Other Minds guru Charles Amirkhanian interviews Anderson, Niblock and other scenesters. The entry’s archive.org listing advertises, “No splices!”) Oh, and more on the the e-bow at ebow.com.
Current Activities
Upcoming
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0477 / Flying Blind / The Assignment: Record a piece of music in which some substantial portion is performed without looking.
• 0476 / IAH Forecast / The Assignment: Here's your next single's cover. Now record it.
• 0475 / Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts.
• 0474 / Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians
• 0473 / Placebo Effect (2 or 3) / The Assignment: The Assignment: Record the second third of a trio that others will complete.Full Index
And there is a complete list of past projects, 477 consecutive weeks to date.