Some music is electronic by intent; other music accrues the association over time. The Internet Archive, at archive.org, has much intentional electronic music on it: among other places, in the Other Minds archive, which has been featured often in the Disquiet Downstream, and the general live archive, which sneaks in some work by DJs and techno acts amid the overwhelming amount of roots rock. Then there’s the “78 RPMs” section (link), 798 tracks in total as of this writing. The whole batch is defined by its technological moment, bearing the scar of thick surface noise that is, depending on your mood, either a palimpsest of recording history or a premonition of tinnitus. Buried deep in the 78 RPMs section are many key items, long in the public domain, that define audio history, notably songs by Enrico Caruso and Bing Crosby, artists who early on learned to use the studio to their advantage. (There’s nothing, unfortunately, by Les Paul, who turned 90 earlier this month.) If you wander through the stacks, you’ll come upon material that is so entranced with the idea of recording sound that it dispenses with song almost entirely, in favor of effects. A case in point is “The 11 69 Express” (MP3), dated 1911, 3:12 in length and credited to Fred Duprez, reportedly a monologuist and character from Edison’s recording company. After an orchestral opening, Duprez tells his tale accompanied by staccato strings, bells, train sounds, whistles and more, including a clucking-like noise, around the 3:06 point, that eerily suggests the scratching of vinyl many decades ahead of its scheduled arrival.
Current Activities
Upcoming
• July 29, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0500 / Humming to Your Selves / The Assignment: Play a tune by yourself and as if by two people whom you invent.
• 0499 / Out of the Landscape / The Assignment: Record a piece of music in which a sound emerges from a field recording.
• 0498 / Sonic Entomologist / The Assignment: Create a new hybrid insect from the sound of two different insects.
• 0497 / Benjamin's Glass / The Assignment: Pay tribute to Benjamin Franklin and his armonica
• 0496 / Isolation Room / The Assignment: Create new music around one strand of something you made in the past.Full Index
And there is a complete list of past projects, 500 consecutive weeks to date.