New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Germanic Soundscape MP3 Album

In Traum (“traum” meaning “dream”), by the German act Seetyca, could very well take as its title the name of the netlabel that released it: Dark Winter. It’s nine tracks of near-lifeless, emotionally and physically remote soundscapes. Or is it? The closing piece, “Vielleicht Erlischt das Licht” (roughly, in English, “Perhaps the Light Expires”), shares with the hour-long album as a whole the same hovering clouds of white noise, and the nearly subaural rumblings of deep bass-line activity that root everything here. But it also could be heard as a kind of heavenly choir, albeit not one that brings to the mind’s eye images of sun-split heavens and rotund angels. The sense of awe is too intense, too existential, to allow easy resolution into joy. That confliction, along with an ever-present flicker of digital noises throughout “Vielleicht Erlischt das Licht,” makes it more than just an exercise in sonic despair. Most of the tracks do sound like field recordings from icy and underpopulated regions, but some have metallic touches that suggest interior spaces, like “Im Travergange,” and occasionally voices can be heard, though only as transmuted sonic elements. Get the full set at

By Marc Weidenbaum

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