New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

I-Hop Score MP3

So many everyday sounds come and go in i-hop, the instrumental realm of hip-hop, most of which is produced entirely in the studio with computers, turntables and found audio cues. There’s the acoustic handshake of a fax or modem, the click of a typewriter in full noir mode, the explosion of gunfire. All of them bring attendant culture associations, social context and unique sonic qualities. Infamy, a film about graffiti culture directed by Doug Pray (whose Scratch documented turntablism), features a theme song by DJ Z-Trip built around that tumble of percussives specific to the jangle of spray paint (MP3). The beat is stealthy yet bold, true to the graffiti artist’s state of mind; the occasional verbal sample appears to have been pulled from the documentary footage. And that sample of the spray can pops up occasionally, like nothing so much as a pair of dice. Since Z-Trip is best known for his pioneering “live mash-up” style, which finds unlikely parallels between various pop songs, it’s welcome opportunity to hear an original composition, this one a collaboration with Garron Chang. More on the film at and on Z-Trip at

By Marc Weidenbaum

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