For 40 minutes, a series of bell-like tones cycle through. They’re heard as a simple riff that’s played out in minutely differing permutations, against a slowly transforming backing track. The tones are seemingly artificial, in that they don’t truly resemble actual bells, but they’re fairly organic, in that their textures bleed into the background in a natural manner and their sonic envelopes involve a comfortable give and sway. The track in question (MP3) is a live recording, made this past May 10, by Ralph Steinbrüchel, performing material from his album Basis, which was built from layers not of bells but of modified recordings of guitar and piano. Basis was released on the label Room 40 (room40.org). The MP3 was recorded at the Offf Festival in Lisbon (offf.ws). More on the recording at cronicaelectronica.org and on Steinbrüchel at synchron.ch. (Thanks to the website of the label 12k, 12kblog.wordpress.com, for the initial reference to this recording. The 12k associated label Line, 12k.com/line, released Steinbrüchel’s album Stage in 2006.)
Current Activities
Upcoming
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0494 / Insect Menagerie / The Assignment: Record a 20-second clip of the sounds of an insect that you yourself have invented.
• 0493 / AudioCorrect / The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music.
• 0492 / Kintsugi Rework / The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing.
• 0491 / Footsteps Sequencer / The Assignment: Compose a piece of music structured upon a walk through your home.
• 0490 / In Conversation / The Assignment: Compose a piece of music structured like dialog.
Full IndexAnd there is a complete list of past projects, 494 consecutive weeks to date.