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Live Jazz-tronic Roam the Hello Clouds MP3

The Australian trio Roam the Hello Clouds works a laptop into the mix. Lawrence Pike on drums and Phil Slater on trumpet collaborate with their third member, Dave Miller, who is billed with laptop, and whose primary sound sources are the live performances by Pike and Slater, which he augments in real time. The scenario recalls the role of Brian Eno during the early stages of Roxy Music, when he was, among other things, emphasizing the use of the mixing board itself as a part of the creative process. The result, as evidence by a lengthy performance posted courtesy of the Australian Broadcasting Corporation National Radio show Sound Quality (abc.net.au), brings to mind everything from late-1960s Miles Davis to the more recent digitally augmented work of Nils Petter Molvær, to the efforts of an earlier jazz-tronic trio, Miniature, which featured saxophonist Tim Berne, drummer Joey Baron, and advanced-technique cellist Hank Roberts.

Miller’s efforts are both subtle and trenchant. They’re inherent to the playing, but generally linger in the background. For example, about 14 minutes into the hour-and-a-half Sound Quality posting (MP3), an extended tone can be heard in the background, as if a note played by Slater had been plucked from thin air and then magically wrapped around the trio like a blanket, suggesting an impossible effort at circular breathing, as if Rhasaan Roland Kirk were reborn as an ambient guru. (Also included in the MP3 is an interview with the band by Sound Quality host Tim Ritchie.)

Part of what makes Miller’s light touches work so well is that he is matched by the genteel but dedicated efforts of his partners in electro-acoustic crime. Neither Pike nor Slater are show-offs. Pike is more than happy to, when time for a solo comes, focus on small clicks and the occasional tap on a drum pedal — which Miller then refracts through effects that suggest the rhythms of a distant helicopter. As for trumpeter Slater, he is as comfortable with scratchy embouchure gestures as he is with warm, lush, held tones, and Miller knows exactly how to work with him, tossing tiny sine waves into the former and lending dubby echoes to the latter. We’re blessed these days with adventurous trios, from Medeski Martin & Wood to Dirty Three. Run the Hello Clouds is fully in their league.

More on Miller at thebodyraft.com, on Pike at myspace.com/laurenzpike, Slater at philslater.com, and Roam the Hello Clouds at roamthehelloclouds.com and the group’s myspace page, myspace.com/roamthehelloclouds. Above image courtesy of the Sound Quality website — that’s Pike on the right, Slater on the left and Miller in between.

By Marc Weidenbaum

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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