Voigt, Caldato, I-f Talk to RBMA (MP3)

Another fine Red Bull Music Academy set of interviews, this time with ambient-techno electronica figure Wolfgang Voigt (“The idea idea behind this is to imagine that ‘club’ and ‘forest’ is something that come together”), Beastie Boys producer Mario Caldato, Jr., (on the pleasures of working original material into a DJ set), as well as acid/electro act turned streaming-audio entrepreneur I-f (born Ferenc E. van der Sluijs) (MP3).

[audio:http://www.redbullmusicacademy.com/uploads/tx_rbmapodcasts/BPC8-Voigt_Caldato_IF.mp3|titles=Wolfgang Voigt; Mario Caldato, Jr.; I-f|artists=Red Bull Music Academy]

Locate video of the interviews, as well as additional background info and even full transcripts with referential links, at redbullmusicacademy.com.

Floridian Field Recording MP3

There are few things as palette-cleansing, at least when it comes to listening, as a field recording, especially one from deep in an environment that has largely escaped the impact of humans. Late last year, Michael Raphael, who documents his field recording work at sepulchra.com, visited the Corkscrew Swamp Sanctuary in Naples, Florida. He writes:

    It is a remarkably beautiful place that features an old growth cypress forest that barely lets light pass through it. It also has a boardwalk that takes you through a healthy chunk of the swamp to areas that are normally be hard to get to. I saw herons, hawks, thrushes, and even a raccoon. I’m not talking about the kind of raccoon that eats your trash, but a real raccoon that is not fat on Whoppers from Burger King.

Of course, even a cordoned off swamp is going to experience the influence of mankind, and this sanctuary proved to be one in name only:

    Corkscrew Swamp is pretty damn cool. All except for one thing: noise! All those birds and critters make great sounds, but you can’t hear them that well when planes are constantly flying over head or and heavy traffic is always driving by. Apparently, it didn’t used to be like this, but when Naples became a prime retirement location, air traffic increased and the surrounding roads were widened to accommodate more traffic. I wish I had the opportunity to record there 15 years ago.

Still, Raphael has managed to locate some relatively unsullied aural gems, including several minutes of birdsong and general ambience (MP3). More on this specific recording at sepulchra.com.

[audio:http://sepulchra.com/blog/wp-content/pod/2009/02/090209corkscrewswamp.mp3|titles=”Corkscrew Swamp”|artists=Michael Raphael]

More of Taylor Deupree’s Daily Sound MP3s

Some resolutions stick, and some don’t. And some benefit from amendment. Taylor Deupree, musician and head of the record label 12k, started the new year with a plan to post one sound each day, and he’s pretty much stuck to it (at 12k.com/onesoundeachday).

Initially, these were all “found” sounds, plucked from the ether by his field-recording equipment, like one of the trains that he uploaded on Tuesday of this week: “one of my least favorite sounds in the world. … the sound is hellish and piercing. if you have to wait a while for the right train you get bombarded with these sounds. this recording does not do justice to the physical sensation of being there” (MP3).

[audio:http://www.12k.com/onesoundeachday/february/feb_03_2009.mp3|titles=”Feb_03_2009″|artists=Taylor Deupree]

The day prior, Monday of this week, Deupree slightly altered his daily regimen for the second time this year, by allowing for unnatural, electronically mediated sounds, rather than just raw audio — a loop of a ukulele: “i am still recording these sounds with my field recorder, so they retain a sense of removal, noise and otherwise roomy tone” (MP3).

[audio:http://www.12k.com/onesoundeachday/february/feb_02_2009.mp3|titles=”Feb_02_2009″|artists=Taylor Deupree]

It has the pulse of a Buddha Machine track, and would make for a good ring tone, which I mean as a compliment, in that it’s the sort of soundbite that one wouldn’t mind hearing throughout a given day, signaling the arrival of something nice, like a friend’s call or text message, or for that matter an automated reminder on a to-do list.

Image of the Week: PhotoShopping Sound

John Keston, over at audiocookbook.org, talks about using Photoshop to process sound:

Click through to the above link for examples of the sounds that result: “Gaussian blur and Liquefy created some unique effects,” writes Keston, “but my favorite of the bunch was Glowing Edges. This filter seems to transform the electric piano into a haunting choral passage.”

10 Ways of Drawing Music (San Francisco)

Below are 10 images shot on opening night of the Every Sound You Can Imagine exhibit, currently running at New Langton Arts in San Francisco. These are just two handfuls of the avant-garde sheet music on display. I ran one previous image, of a Morton Feldman work, on the evening of the show: disquiet.com.

Karlheinz Stockhausen:

Conlon Nancarrow (“Pencil on hand-punched piano roll”):

Gavin Bryars‘s The Sinking of the Titanic, a personal favorite. This is, clearly, the “performed” part of the work, not the taped part:

A detail from a Joan Jeanrenaud piece, with instructions on how to implement technological aspects, specifically the processing of the cello, which is her primary instrument:

Gordon Mumma instructions:

Cornelius Cardew:

Steve Roden (“Pencil, watercolor, and collage on vintage musical notation paper”):

Stephen Vitiello:

Yasunao Tone:

Robert Ashley:

More coverage likely to follow.

Also on display is work by William Basinski, Alvin Curran, Philip Glass, Ryoji Ikeda, György Ligeti, Christian Marclay, Barry McGee, Phill Niblock, Carsten Nikolai, Raster-Noton, Steve Reich, Terry Riley, Morton Subotnick, Iannis Xenakis, and others. The show was curated by Christoph Cox and Robert Shimshak, and was organized and previously exhibited at the Contemporary Art Museum Houston. More details at newlangtonarts.org.