New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at Twitter.com/Disquiet

  • Afternoon: sound-art installation at Berkeley Art Museum. Tonight, Mose Allison and Bob (Schoolhouse Rock) Dorough. #
  • Morning sounds: shower, fridge, coughing (visiting Mom, in guest room). And (I'm happy to note) my old laptop's louder than my new desktop. #
  • Saw Edward Albee's At Home at the Zoo at ACT SF. Really solid, especially how two one-act plays written so far apart fit together so well. #
  • New desktop computer set up. New high-pitched electronic whine has entered my personal soundscape. #
  • My dad (age 74) is wired for sound. His dual Bluetooth-enabled hearing aids pick up his cellphone and his MP3 player. My dad is a cyborg. #
  • Looking forward to new Michael Mann film, Public Enemies, especially to hear how he maps his minimal-techno fixations onto the Depression. #
  • Dang. The guy from awesometapesfromafrica.blogspot.com is in San Francisco tomorrow night, and … so are my parents. #
  • It's been a day of dub, experiencing what entering "King Tubby" into Pandora and LastFM yield. #
  • Previous post from final chapter of seventh Parker novel, which I just read. Scene takes place with no dialog, save anti-hero's thoughts. #
  • "The silence after the crash and clatter seemed to hum with emptiness. Parker moved more slowly, listening, listening through the silence." #
  • Having a glass of Laphroaig. As with most great whisky, its name could easily be mistaken for the title to an Autechre track. #
  • Easily spent 45 minutes today working to a single synth vamp, a minimal line from a 15-track Tony Allen afrobeat song: http://is.gd/1jBI4 #
  • Reportedly this mix — http://bit.ly/JbxSF — is by Beck. It's something: out jazz, Allen Ginsberg, beatcraft, 8bit madness RT @1000DIGIKI #
  • Digging free @thegrassyknoll iPod app. Wondering/worrying if Apple's app success supports DRM. Would easily copied apps sell less or more? #
  • Morning sounds: shower ahead, footsteps to right, fridge to left, speakers (playing Tony Allen) behind. All save the speakers through walls. #
  • Listening at length to iPod Touch apps: Bloom, Buddha Machine (odd not to hear tinny speaker quality), TonePad (could use more variety). #
  • Planting coyote mint, listening to airplanes and hummingbirds. #
  • Not sure what sport is consuming patrons at 3 bars in listening vicinity of Rosamunde on Lower Haight, but the event-doppler is excellent. #
  • Morning sounds: laptop fan, plane overhead, ice cracking in coffee, bus passing, phone's sonar ping quietly noting arrival of an email. #

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0561 / Samplelicker / The Assignment: Rework environmental sound recordings with Aphex Twin's new software.
    0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
    0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
    0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
    0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.

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