New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at

  • My two favorites @mocalosangeles: Christian Marclay's 16-channel video & Ai Weiwei's 10-plus video #
  • Checking out the "social network" Firefox plug-in @yoono. So far, so good. Definitely saves on simultaneous screens/tabs. Kinda elegant. #
  • Saturday morning sounds: this early, it's just the fridge through one wall, and the hard drive below me. Maybe geese, a bus, or a car soon. #
  • Video of augmented audio on a train — great example of why the iPhone app @rjdj is so great: RT @rjdj @revdancatt #
  • Best description of "feedback" I've read recently was in an article not about sound but about economics: ( #
  • Listening to a Basic Channel compilation, which I could easily have been convinced, while cross Market Street, was in fact @rjdj in action. #
  • Nice morning audio synchronism: geese commuting overhead, just as the electric toothbrush sounds its didgeridoo wail. #
  • Realizing that the Tuesday air-raid siren here in San Francisco must emanate from a spot much closer to where I work than to where I live. #
  • Yow — Joan La Barbara is among the musicians at this year's San Francisco Electronic Music Festival, September 16 – 19: #
  • Field recordists & phonographers, @alexismadrigal has started a locative-sound project @HearThisWorld and #
  • Afternoon sounds: typing, voices below, footsteps, printer buzz, distant & limited traffic, air plane, a dozen hard drives in choral unison. #
  • Just listened to my own house. Put AC/DC on stereo; went to showing at house next door. Couldn't hear a thing. Realtor said, "Rock out." #
  • Sunday morning sounds: foghorns, hard drives, and the continued silence of the uninhabited single-family home next door. #
  • Said the good reverend at tonight's wedding, "The language of love is silence." #

By Marc Weidenbaum

/ Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>


Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe

  • Current Activities

  • Upcoming
    December 13, 2021: This day marks the 25th anniversary of the founding of
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

  • Recent
    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • Ongoing
    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm:

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

    Full Index
    And there is a complete list of past projects, 511 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts