New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at Twitter.com/Disquiet

  • I only follow two TV characters on Twitter: a fictional person and a fictional version of a fictional person. #
  • From Last Resort’s island to Myles’ cameo in Person of Interest, the shadow Lost casts on today’s television is expansive. #
  • Sacramento tomorrow. Anything art-ish I should check out, lemme know. #
  • Fear of How Music Works #
  • I have two art-dot-sy (art.sy) invites, if anyone wants one. #
  • Read far too many reviews of Looper, wrote a check to myself to transfer funds, got a big headache. #
  • “All these bottles thrown into the sea eventually found recipients.” —Nowaki netlabel on benefits of Creative Commons: http://t.co/0goDom2I #
  • For folks involved in the @djunto this week, a beautiful thank-you from the netlabel: http://t.co/0goDom2I. #
  • Playing catchup. Set of 40 tracks from the @djunto project when we remixed the theme of the Radius broadcast/podcast: https://t.co/podzQny2 #
  • RIP, Half Sack. #
  • Dredd isn’t great, but at least the 3D was considered as part of visual design. And it really looked 2000 AD to me (the comic not the year). #
  • The 39th weekly @djunto project has begun at http://t.co/ncvd9ZaD http://t.co/XdREURGZ. Remixing three netlabel releases. #
  • A bit of netlabel activism is the modus operandi for this week’s @djunto, the 39th in the weekly series. #
  • “Look at all of those no-deriv licenses (grumble grumble). What’re you afraid of?” That’s @vuzhmusic asking netlabels what’s up. #
  • Ignore that last comment/question. PDFs are transferring fine. The doc in question turned out to have been an HTML file. #
  • Is it possible to send PDFs from GoodReader to iAnnotate PDF on the iPad? #
  • Listen to music by Brian Eno from the exhibit that spawned his forthcoming Lux album: http://t.co/jVmWlLoa. Post updated thanks to @wifsten. #
  • Listen to music from the installation that inspired the forthcoming Brian Eno album, Lux: http://t.co/jVmWlLoa Plus a lecture. And diagrams! #
  • Anyone know who did the cover art for the forthcoming Brian Eno album, Lux (Warp, Nov. 13)? It looks Tom Phillips”“ish. #
  • Today in sound class: surveillance in The Conversation, sampled submarine sounds in Last Resort, and Lucille Ball emulates Charlie Chaplin. #
  • Odd whistle sound while in shower. Any other time of day I’d assume it’s a distant siren, but in the morning, maybe a neighbor’s tea kettle? #
  • Night sounds: dishwasher rumbling, TV creaking as it cools down, rattle of an occasional passing car, whine of MUNI bus coming to a stop. #
  • Design-oriented Apple sends Rothko Chapel visitors to a house down the road. http://t.co/pryA0IlN #
  • Tomorrow in sound class, week 3, “The Score”: Conversation/Murch, sound design, foley, (un)silent film, laugh tracks, Southland, Last Resort #
  • Manhattan Disquiet Junto concert is now on the calendar: http://t.co/CVlqXHAT. November 27 @apexart. Details to follow. #
  • Are these newly legal driverless cars are allowed to respond to text messages? #
  • Side view of Tilden Park sound tube. http://t.co/DLLDOlZW #
  • Not a shower head. One of two sound tubes in Tilden Regional Park playground. http://t.co/3gVZE2u9 #
  • Afternoon audio stream: the lo-fi, low-key guitar/loop/din hush of Josh Mason’s forthcoming Jeremiad: http://t.co/bmq4FHEI #
  • Sentence I didn’t foresee myself typing: “Just signed up for MySpace invite.” #
  • Tuesday noon siren in San Francisco, heard through closed windows on a cold, windy day — the sound the clearest it’s been in recent memory. #
  • Testing @SurteesStudios‘ OS X Bartender Bar beta. Smart that a clutter-minded app has icon selection, rather than forcing its icon on you. #
  • “violist at musician” / The unintentional performing-arts commentary of LinkedIn. #
  • So many hybrid cars in Berkeley, parking lots here have a very different vibe from the norm. #
  • Train, unseen, echoed through Tilden Park. #
  • RIP, Sam Sniderman (b. 1920), founder of the Canadian record store chain Sam the Record Man: http://t.co/zGiocNpw #
  • Found sounds. Sidewalk cassette. Cult jam. http://t.co/1hXiXrzl #
  • Kabuki version of Woman in the Dunes at Precita Park. (Really just overly sunscreened toddlers in sunken sand box.) #
  • “Signal sweeping for transmitters. You’re just a party animal.” Enemy of the State is no The Conversation, but has fun with whence it came. #
  • The Ripping Point: The moment when number of downloaders at the café manage to slow the Internet access to near-zilch. #
  • Information flows through this. http://t.co/dgQkr5qa #
  • Waking to Lethem/Chabon parallels paralleling DeLillo/Auster parallels. #
  • “A Brief History of Sound.” Notes from the second week of my sound class: http://t.co/AcyarrTD. #celebritydeath #synaesthesia #phonography #

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
    0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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