Since the **DJ Shadow** brouhaha earlier this month (see: [“DJ Shadow cuts short Miami club set”](http://blog.sfgate.com/dailydish/2012/12/17/dj-shadow-cuts-short-miami-club-set/)), when the beat innovator refused to alter his set at the request of a club promoter, one with good reason may have been wondering what, exactly, Shadow even sounds like these days. It’s been a long 16 years since his *Endtroducing…..* album put him on the map, with its abstract yet populist approach to rhythm and sampling. After the recent Miami situation, words were traded in the press, with Shadow (aka **Joshua Davis**) seeming more pleased at the attention than perturbed, and the club eventually [apologizing](http://www.spin.com/articles/dj-shadow-apology-miami-club-mansion). Shadow has gone a step further now, and posted on his [SoundCloud account](https://soundcloud.com/djshadow/all-basses-covered-low-end) a 45-minute set from July. Abstract, it isn’t, but as a beat-heavy and slick, seamless survey of several crates worth of varied source material, it’s certain fun — and more than anything, it makes the club look really, really silly:
Oh, and if you’re wondering what exactly made the club promoter anxious, it was reportedly “Spit Thunder” by Netherlands-based Krampfhaft: