New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at Twitter.com/Disquiet

  • February 10 is the birthday of both @carlstone and @robert_henke. I think this should be some sort of electronic holiday. ->
  • Not that anyone should look at a screen on a beautiful San Francisco day such as this, but who are Richmond District tweeters I should know? ->
  • Kinda missed Dilla Day due to tending to my then-semi-ailing kid, but by chance had listened to Dilla anyhow. Kids like Donuts. ->
  • Is there any way to get iBooks-style continuous scrolling in FBReader? ->
  • How perfect that the first entry in our remix project of Endless Ascent netlabel is, per chance, by @Icarus_Descent: http://t.co/lSzme8ob ->
  • "Aardvark—Fiction." #loc ->
  • Visual remnant of what Chinese New Year sounded like: http://t.co/FJCtr51p ->
  • Impromptu Craigslist road trip. Crate digging. http://t.co/99YiJfBB ->
  • I already miss looking forward to Steven Soderbergh films. ->
  • Scored four 12"s at Craigslist crate dig: Art of Noise's Gunn, Ice T's Rich & Famous, INXS' What You Need, Geto Boys' Mind Playing Tricks. ->
  • Thank you for making my week. RT @PennSound: Christian Hawkey took silences from 45 readings by Ashbery on PennSound: http://t.co/0VWV4mzZ ->
  • Audio recording I made today during Chinese New Year celebrations in the Tenderloin: https://t.co/eOzlnkGy ->
  • Realized that old Ice-T 12" I snagged today of "Lifestyles of the Rich and Infamous" isn't the original but, better yet, a DJ Premier remix. ->
  • Mostly for @robsheff @christianbok @tomcomitta: The silences of John Ashbery. What the poet says when he says nothing: http://t.co/uvkXdEgV ->
  • Afternoon score on day I watch my 2.5-year-old: foreground is toddler's light snoring; background is neighbor's leaf blower. ->
  • Almost 20 tracks reworking various releases from the Endless Ascent netlabel: https://t.co/GJH0W5sv Cc @djunto ->
  • Thanks! MT @SoundCloud: @djunto is an open communal soundmaking group. Hear latest project celebrating Creative Commons http://t.co/yilizcp9 ->
  • Dear Anyone: I rarely tweet health whines but my poor little kid's pink eye is the primary reason I haven't replied to your email/post/tweet ->
  • Arnold Lobel's kids book Frog & Toad Are Friends works well with Frog in John Cage's voice & Toad in Morton Feldman's. #noiseparent #protip ->
  • Not surprised that Kraftwerk bio author pops up on a Resonance FM podcast. Just surprised it was on the cycling show: http://t.co/DaVsVZJ3 ->
  • Sound of the library where I'm getting some work done: https://t.co/w3J0jEf9 ->
  • Even more addicted to Thomas Newman's Side Effects score than I'd expected to be. "Houston Free Meds" in particular. ->
  • Side Effects reminds me of first time I took note of Thomas Newman's name, due to percussive classical performance in movie Men Don't Leave. ->
  • Not into reality TV but would watch doc about Android/Apple fanboys who battle in blog comments. Inconvenient Troll? Troll to the Dark Side? ->
  • Caleb Kelly (aka @caleb_k), author of Cracked Media: The Sound of Malfunction, has a new blog: http://t.co/DNACA4LF. ->
  • Theme of this week's Disquiet Junto (@djunto) project is sonic autobiography. Starts Thursday. It's #59 in the ongoing series. ->
  • 4 hours ago I posted the sound of a room where I sat alone in the library: https://t.co/w3J0jEf9. 120 listens later, I sure feel less alone. ->
  • Ooh, a remix (by @happypuppyrecs) of my library HVAC drone recording: https://t.co/wPN4gtp3. #dronesofdrones ->
  • My Nexus 4 hasn't gotten 4.2.2 yet, no. Thanks for askin'. ->
  • Reading story collections by Paolo Bacigalupi and Kelly Link. Beautiful, but so florid I may read a catalog about concrete when I'm done. ->
  • 2nd class today of my weekly @academy_of_art sound course: dead celebrities, oral history, audio ecology, listening exercise, synesthesia ->
  • Information flows through this: http://t.co/N6Bh8JXx ->
  • The autobiography @djunto project has been delayed a week. This week's involves the human voice and requires a die (i.e., singular of dice). ->
  • Paolo Bacigalupi's short story “The People of Sand and Slag" is not something you want to have finished reading just before lunch. ->
  • Same thing's happening now with Stonesthrow as with Touch Radio, where the podcast shows on RSS before the web page. Weird. ->
  • Google's TTS (text to speech) is radically reducing my mobile music intake in favor of blog posts and ebooks. ->
  • I didn't post special Valentine's Day music on Disquiet (.com) today. I just, as always, posted music that I love. ->
  • The 59th Disquiet Junto (@djunto) project begins momentarily. It requires a single die and your mouth. ->
  • The 59th @djunto project is now live at http://t.co/a4zJ5Mlw + http://t.co/XdREURGZ #vowels #choral #drone #random #dice ->
  • Excellent. Got access to my Twitter archive. Looking forward to digging in. Cc @lhalff ->
  • "Reading the Settings options." 19 Jun 07 #twitterarchive #firsttweet ->
  • "The air conditioning has stopped. All the better to hear my hard drive whir." 21 Jun 07 #twitterarchive ->
  • I have mentioned HVAC 31 times (well, now 31) on Twitter. #twitterarchive ->
  • I have mentioned Pink Floyd five times and pink eye once since joining Twitter. #twitterarchive ->
  • Based on this graph 2010 is the year I really got underway on Twitter though I joined back in mid-2007. http://t.co/lday3jRD ->
  • I was on Twitter 339 days before using the word "ambient." #twitterarchive ->
  • I was on Twitter 109 days before using the word "noise." #twitterarchive ->
  • Greene on Zero Hour, Carter on Falling Skies, Corday on Dr. Who and Arrow. How did ER take over TV science fiction? ->
  • Was reading about "secure USB debugging" in Android 4.2.2. Does this conflict at all with @idisplayapp's USB connect? http://t.co/4YkA5rgV ->
  • Ooh, already a work in this week's "choral drones from vowels" @djunto project: https://t.co/rXhRUfyq by @xyzr_kx ->
  • We should approximate holding "yay," "die." MT @Nonwrestler: @disquiet 2 dipthongs there (A, I); physically impossible to hold as "constant" ->
  • Current choral drone @djunto project has been, inevitably, picked up by one of those automated paper.li news aggregators on military drones. ->
  • Useful reminder about how to type "smart" quotes in OS X: http://t.co/5VscWMpa ->
  • "It’s hard to hear the words over the noise of weapons, vehicles and Marco Beltrami’s bludgeoning score" (A.O. Scott on the new Die Hard.) ->
  • Beautiful. MT @echosonic: New for @djunto: Miroitant de l'eau [disquiet0059-vwls] by @echosonic via @soundcloud https://t.co/Ezqz6oAh ->
  • Apparently "watermarked" means "so complicated to download that you never actually get to listen to it." ->
  • Someone will assign Jonathan Lethem to review the new Glenn Frankel book on The Searchers, right? ->

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Current Activities

  • Upcoming
    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

  • Recent
    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • Ongoing
    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

    Full Index
    And there is a complete list of past projects, 511 consecutive weeks to date.

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