New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

New Year Dub

Here's to 2014. Here's to works-in-progress.

One of the beauties of is the casual nature of much of its content. Musicians upload not only finished recordings but works-in-progress, which serve as windows into their creative process, arguably providing a more intimate, fluid, and digitally natural listening experience that do sites whose structure is more clearly modeled on the brick’n’mortar system of a traditional record store. Often as not, these experimental, mid-process SoundCloud-housed tracks are brief, in the one-minute range, though in the realm of electronic music, they are only short on first listen — they are then adapted by fellow musicians (unfolding into myriad remixes), or simply set on loop.

A one-minute dub track, such as Kyle TM’s “New Year Dub,” easily turns into a half-hour of trance-worthy listening. In fact, while many short pieces on SoundCloud merely make for repeat listening, in this case it’s Kyle TM’s intent: “Meant to be looped,” he writes in a brief accompanying liner note. The piece has a familiar dub reggae rhythm, tweaked with a squeaky, delectably sour, further-off-the-beat percussive, like a screw is loose somewhere in the sound system.

Track originally posted for free download at More from Kyle TM, who’s based in Greer, South Carolina, at and

By Marc Weidenbaum

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