Vicky Chow performs the 20-minute “This Machine Breathes to the Rhythms of Its Own Heartbeat,” a recent composition by Adam Basanta. Basanta’s website describes the work a being “for solo piano, electronics, and two surface transducers.” What that description lacks is mention of the voice with which the piece begins — a monologue that serves as the contemporary classical equivalent of the sort of procedural introduction to an episode of a show like Dragnet or, more recently, Southland. It lays out the facts, which have the plainspoken quality of the piece’s title, with limited emotion, a distance that lends the everyday a peculiar level of depth and intensity, of foreboding. The music then does those suggested qualities full justice. “This machine will not communicate. All it knows to do is turn on and off. This machine does not operate according to our timescale,” and so on. From there a mix of droning feedback and rarified piano figures alternate, the former no doubt originating in the latter. The result is an exploration of vibrant mechanical activity, from the white noise of strong feedback to the snare-drum-like rattle of open chords to isolated keys that echo like pin drops.
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
• 0451 / Ursula's Silences / Make music inspired by a line from A Wizard of Earthsea.
And there is a complete list of past projects, 455 consecutive weeks to date.
Most Recent Comments