Marcus Fischer has not been updating his SoundCloud account ([soundcloud.com/mapmap](https://soundcloud.com/mapmap/)) with the regularity of Taylor Deupree, who throughout 2014 maintained a near daily journal of sounds from his studio ([soundcloud.com/12k](https://soundcloud.com/12k)), and who has begun to do so again this year. But like Deupree he has been sharing brief instances, [58 seconds of modular synthesizer activity](https://soundcloud.com/mapmap/468-modular) here, [two minutes of guitar and cassette tapes](https://soundcloud.com/mapmap/464-three-strings) there. Some of the tracks are considerably lengthier than Deupree’s entries, and seem closer to finished work. And then there’s an occasion where their journals — or at least the circumstances of their journals — collide, as on this piece from Fischer’s account. It is drawn in part from a show he performed recently with Deupree. The image up top, source from [Fischer’s Instagram account](http://instagram.com/p/yAYmjun6cO/), is from that show.
It isn’t from the live performance, per se. It is source audio that Fischer developed for use in the performance, a rich wavering resonance that meanders this way and that, ever so slightly, for the length of its one-minute run, like an orchestra heard from the bar in some grand but dilapidated symphony hall.
Track originally posted at [soundcloud.com/mapmap](https://soundcloud.com/mapmap/460-deupree-fischer-cassette). More from Fischer, who is based in Portland, Oregon, at [mapmap.ch](http://mapmap.ch/).