“Moreton” unfolds like a short segment from a wordless film. This is in part because the music in it consists largely of held chords on a synthesizer, just the sort of economical arrangement that merges with a film’s overall sound and insinuates itself into the action. And then there is that sound itself, which here presents a sequence of events: footsteps for an extended period, then what is almost certainly a gun being cocked and shot, and then a distant siren. Conch, to whom the piece is credited, says it’s the second track from a forthcoming album. Perhaps the full album with explain the mystery — or deepen it.
Track originally posted at soundcloud.com/srvll.