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Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

A Map Is a Composition / A Composition Is a Map

Listening to a mountain pass with Kate Carr

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Kate Carr, who travels widely and records as she goes, is employing sound as a mapping tool. Or perhaps a better way to put it is that she is employing a map as a compositional tool.

This half-hour track is an experiment of hers. As I understand it, roughly each three minutes marks one of 10 sites along a path of a mountain in Spain. The sound isn’t pure field recording — or it doesn’t appear to be. There seem to be edits and treatments, but perhaps the sound in the Spanish countryside is simply that surreal. There is muted singing, too — perhaps Carr in duet with the world.

She writes of the piece, which is titled “From a wind turbine to vultures (a sonic transect of a small mountain in Velez Rubio, Spain),”

This is an idea I have been working on for a while. It involves the sonic investigation of 10 sites along a sonic transect. These sites were evenly spaced along a straight line up a small mountain in a remote area in Spain. The wind turbine in the title was in the valley of the mountain, the vulture at the peak. This is just a testing out of this idea.

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She also mentions that the individual sites are noted in the track’s comments — signposts along the audio timeline — but they don’t appear to have gone live yet. (Update 2015.10.10: The sites are now visible in the comments at the track’s SoundCloud page: 0:05, 7:59, 11:32, 15:07, 17:14, 20:04, 21:43, 23:25, 25:37, 28:36.) The audio was uploaded earlier today.

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Track originally posted at soundcloud.com/katecarr. More from Carr at katecarr.bandcamp.com, gleamingsilverribbon.com, and twitter.com/flamingpines.

By Marc Weidenbaum

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