Kate Carr, who travels widely and records as she goes, is employing sound as a mapping tool. Or perhaps a better way to put it is that she is employing a map as a compositional tool.
This half-hour track is an experiment of hers. As I understand it, roughly each three minutes marks one of 10 sites along a path of a mountain in Spain. The sound isn’t pure field recording — or it doesn’t appear to be. There seem to be edits and treatments, but perhaps the sound in the Spanish countryside is simply that surreal. There is muted singing, too — perhaps Carr in duet with the world.
She writes of the piece, which is titled “From a wind turbine to vultures (a sonic transect of a small mountain in Velez Rubio, Spain),”
>This is an idea I have been working on for a while. It involves the sonic investigation of 10 sites along a sonic transect. These sites were evenly spaced along a straight line up a small mountain in a remote area in Spain. The wind turbine in the title was in the valley of the mountain, the vulture at the peak. This is just a testing out of this idea.
She also mentions that the individual sites are noted in the track’s comments — signposts along the audio timeline — but they don’t appear to have gone live yet. (Update 2015.10.10: The sites are now visible in the comments at the track’s SoundCloud page: 0:05, 7:59, 11:32, 15:07, 17:14, 20:04, 21:43, 23:25, 25:37, 28:36.) The audio was uploaded earlier today.
Track originally posted at [soundcloud.com/katecarr](https://soundcloud.com/katecarr/from-a-wind-turbine-to-vultures-a-sonic-transect-of-a-small-mountain-in-velez-rubio-spain). More from Carr at [katecarr.bandcamp.com](https://katecarr.bandcamp.com/), [gleamingsilverribbon.com](http://www.gleamingsilverribbon.com/), and [twitter.com/flamingpines](https://twitter.com/flamingpines).