New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

What Sound Looks Like

An ongoing series cross-posted from

I once worked on a project where the company’s website was so complex and detailed and, frankly, byzantine, that by the time we first visited the company’s actual office I wondered where the skyscraper was hiding. You’d never know from the company’s massive online presence that it was really just a few dozen people working on the top floor of a two-floor building. Sometimes such confusion is willful, an act of strategic dissimulation, a game of tactical artifice. Sometimes it’s a matter of putting on airs. Often it’s just bad planning. Either way, the company came to mind when I wandered by this extensive doorbell situated at the entryway of a modest two-story apartment building. The verticality of the form brought to mind soda cans that have the silhouette of a glass bottle drawn on them, as well as depictions of the very condensation that the can was designed to diminish. Of course, this doorbell grid isn’t really a skeuomorph, per se. It’s more of an aspiration. The architecture curator at a museum once described the faux lofts being built in San Francisco as “townhouses in drag.” This doorbell is playing its own sort of low-budget dress-up. It’s skyscraper cosplay.

An ongoing series cross-posted from

By Marc Weidenbaum

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