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They’re Parts, Not Whole

A series of overlapping textural material by Leonardo Rosado

The track’s title mixes a cold date stamp with an ambiguous sentiment, and in turn “160515T01 the saddest morning glory” summons up a series of overlapping textural source segments. These include plucked string instruments and pulsing drones and some deeply echoing woodwind and sequences of held notes, among other aural delicacies. Those held notes, like the overall piece, travel at too slow a rate to be considered collectively as a melody, as of a piece. They’re parts, not wholes. The whole here is more experiential than developmental, less a matter of something that changes as it goes and more a matter of some things that illuminate each other through proximity. A seemingly rote drone gains rhythm when contrasted with an even more placid tonal companion; a semi-prominent rhythmic element recedes when faced with a more capacious contrast. Recorded by Leonardo Rosado, “160515T01 the saddest morning glory” is slow and subtle, evenly paced and emotionally remote, and utterly beautiful.

Track originally posted at soundcloud.com/leonrosado. More from Rosado, who is based in Göteborg, Sweden, at works-by-lr.tumblr.com.

By Marc Weidenbaum

Tag: / Comment: 1 ]

One Comment

  1. Leonardo Rosado
    [ Posted May 30, 2016, at 10:37 pm ]

    Hi Marc,

    I am so happy to see that you enjoyed the piece. And you are so so spot on the reinforcement of different elements strengths when combined.

    Thanks for your sagacious description

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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