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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Slacking About Remixing

A window on the new Disquiet Junto Slack discussion group

This past week I opened up a discussion group on Slack (slack.com), the popular messaging and collaboration platform. I remain more wedded to forum-style discussion, but I am also aware that preference may simply be me, and that Slack’s success may indeed relate to a more contemporary, fluid, less structured format.

In any case, as I’d hoped, discussion about specific projects while the projects are still happening has been solid. This week’s Junto project involves a remix of three unrelated tracks. I share a brief bit of that conversation below. (And if you’re part of the Junto Slack discussion, you can view the full thread here.)

mtnviewmark [7:36 AM]
I might suggest that we ”‹don’t”‹ post our tracks here. I think this channel would be better for discussion than as another rolling list of submissions, which can be found on SoundCloud as is. So… In the past Disquiet submissions I did the assignments in the void: I didn’t even load up the SC list until after I finished my submission. I didn’t want to hear others’ work and be influenced by them. That seems silly in the face of the premise of this week’s assignment: remix! Also, want to see if having a live discussion ”‹during”‹ the assignment helps. So… I’m looking at first two tracks – rhythmic / arrythmic – and rather than remix them directly, I’m working on swapping the rhythms between them…. so far, this is slow going. Also, if it helps anyone, the first track is at 128.41bpm by my measure….

marc.weidenbaum [9:21 AM]
It does feel a bit redundant. On occasion may be good for reference during conversation. Look forward to what you make of it.

joemcmahon [9:45 AM]
@mtnviewmark: Yeah, I prefer it that way too; if I let myself hear what others have done, sometimes I just say, “well, that’s better than I could do it” and skip it. :slightly_smiling_face:

audio_obscura [3:57 AM]
Its true what others say in that I often here junto submissions and think I could never better that, in fact I think I have 4 tracks I did and never submitted as they just weren’t any good. But this weeks challenge is a good one as the variety of posts from the same sources is really different. Just my opinion but I like to hear the elements from the source material in the remixes – some people twist the sources so much you can’t really hear any of the original. I think with mine you can still distinctly hear the three referenced works

marc.weidenbaum [5:41 AM]
@audio_obscura: That hearing the originals in the remix gives me great pleasure. Have you ever checked out the Stonesthrow Beat Battles? I love listening in each week and checking out how everyone’s redone the shared sample.

audio_obscura [6:34 AM]
@marc.weidenbaum: I think next’s weeks Junto should be to take 3 of this weeks remixes, download them and take the 1st 30 seconds of the tracks and remix them – basically repeating this weeks challenge but taking it another step down the road!

audiodays [6:55 AM]
Really enjoyed the challenge again this week. some weeks I know straight away what I’m going to do, but this week.s took a bit of thinking time and some experiments. I agree with that has been said about hearing the source material and I think I’ve ”˜just’ about go away with it this week. But as I said in my notes on SC, I struggled finding a a way of bringing HNY and Pepper Jelly together without it sounding too much like a car crash. I rarely, if ever, listen to other contributions until I’ve uploaded my own, and settling down to hear how other have interpreted the brief is just as joyous as the Disquiet Junto email dropping on a Thursday evening (UK time).

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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