New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

RIP, Other Music

Aphex Twin makes its top-100 sales chart.

20160620-othermusic

This white board shows the top 100 albums sold at the excellent record retailer Other Music in its 20 years of existence in downtown Manhattan. The store shuts this week, on June 25, and the board was posted commemoratively at the website brooklynvegan.com yesterday with some light annotation. I first saw the picture when Amon Tobin tweeted about it, saying, “Peace out Other Music. There will never be another store that can move over 1000 copies of an Amon Tobin record.” There’s only one Aphex Twin record on the board, and while the photo cuts off, it appears to be Selected Ambient Works Volume 2. All it says is “Ambient” with what looks like the “2” truncated mid-numeral (a reading confirmed by that Brooklyn Vegan post).

20160620-othermusic copy

When Bloomsbury published my 33 1/3 book on Selected Ambient Works Volume 2 in 2014, one bit of feedback that confused me was from people who couldn’t understand why I hadn’t written instead about the earlier Selected Ambient Works, or the album titled Richard D. James Album, or another of his releases. My response was usually along the lines of “I wrote about this record because it’s the record that captured my imagination.” What interested me about the Other Music board is that no other Aphex Twin record made the list — not only did Selected Ambient Works Volume 2 appear on the top 100, it was the only Aphex record to make that cutoff. As the discussion at Brooklyn Vegan makes clear, Other Music had its own take on culture (“OM was more DJ Shadow or … J. Dilla than the Beasties,” writes Bill Pearis). While consumers were free to buy what they wanted at the store, the store in various ways shaped the tastes of the people who shopped there.

The store was also, in turn, shaped by time. Other Music’s history closely parallels Disquiet.com’s. It launched in 1995, a year before Disquiet.com did, and it was right around the corner from Tower Records. I was still an editor at the Pulse! music magazines published by Tower in 1995 — I joined the company in 1989 and left in 1996, a decision that led me to start Disquiet.com, which turns 20 on December 13, 2016. Tower was based in West Sacramento, and I lived alternately in Davis and Sacramento during my tenure. I’d moved to California from Brooklyn in 1989 to take the job. Selected Ambient Works Volume 2 was released in 1994, a year before Other Music opened.

The culture of a record store, the way you learn about music, is something that online retailers (including streaming services) have failed so far to emulate particularly well. Rdio probably came closest among the streaming companies, and it still went out of business. When you are in a physical record store, you learn from the room, watching what others buy, conversing with clerks, reading short reviews, listening to what’s playing and asking about it. Other Music was a valuable one-room schoolhouse, as record-learning goes. Up until Tower Records closed down, whenever I went back to New York to attend a Bang on a Can festival or interview a musician, or meet with record labels, Other Music was always a stop. It felt a bit like cheating to walk across the street from Tower, but the cheating was always in service of the magazines’ coverage.

By Marc Weidenbaum

Tag: / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe



  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0555 / A Simple Timer / The Assignment: Simplify by a factor of 5.
    0554 / Cage Chord / The Assignment: Riff on a chord by John Cage.
    0553 / Break That Cycle / The Assignment: Record in a steady tempo but break it on occasion.
    0552 / The Radio in My Life / The Assignment: Record music in response to a John Cage and Morton Feldman conversation.
    0551 / The Bends / The Assignment: Get less strict about something you're strict about.

  • Full Index
    And there is a complete list of past projects, 555 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts