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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

A Pixel Fire

Three frames capture the performance, and occasional "brutal digital audioclipping"

The musician working from the traumaduo/spacebox720 account on YouTube apologizes at the opening of this video for the “brutal digital audioclipping” — his exact words — that occurs in the track. The clipping is especially evident right after the nine-minute mark, when a harsh rupture, a pixel fire, briefly invades the previously placid, lightly padded space. That sonic fire quickly recedes, and the patient, soft music, gently percussive music proceeds. The clipping there is as much an echo as it is a rupture, bringing to mind a quieter fissure at the three-minute mark, and other punctuations that occur over the course of the piece. I note this video not only for its listening pleasure, but for the format of the performance presentation. It appears as three images: one large, two small, each showing a different perspective on the instrumentation, allowing him to move freely among the tools and almost always have his actions captured. (Such a format has been on my mind for a possible project, and then I stumbled on this employment while searching for music that uses devices by the musician-designer Meng Qi, who’s based in Beijing, China). In addition there are computer-generated images that lend some science-fiction drama to the undertaking.

Video originally posted at youtube.com. It’s the latest piece I’ve added to my ongoing YouTube playlist of fine “Ambient Performances.”

By Marc Weidenbaum

Tag: / Comment: 1 ]

One Comment

  1. spacebox720
    [ Posted September 2, 2016, at 2:58 am ]

    Hi,

    I’m spacebox720 and i stumbled over your article. I really enjoyed and would like to say thank you for this!

    best regards!

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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