There’s likely no actual guitar on “Glisten,” a track off R Beny’s superb new collection, Full Blossom of the Evening. There are, in the extensive list of equipment, some potential sources for the sharp, high-pitched, tightly plucked, string-like sounds that are the focus of the track. We may be hearing a synthesized string from the Teenage Engineering OP-1, for example, or a sample played from his iPad. The sharpness of those sounds, the brittle, fiercely resistant tautness, brings to mind the artificial guitar heard on Oval’s 2010 album O. Both Oval’s record and this track off Beny’s new one explore the textures of the guitar in a digital space, a seeming simulacra of the familiar, rendered as a kind of sonic fiction, and the Oval reference gets additionally rich when a certain glitchiness is applies to the recording, when it temporarily seems as if the playback is failing. What makes the track distinct from Oval’s work is the core of the music. Oval’s reference was largely rock, pop, and folk. Beny has created a synthesizer chamber music, something that feels like it was plucked from the renaissance. When it glistens, per the title, and it does so quite often, it’s like light hitting stained glass — virtual stained glass, perhaps, but the beauty is real.
5 Most Recent Comments
Brian Biggs: "Fantastic. There’s a Rube Goldberg analogy hidden there in the electronics. "
djbaroki: "Thanks for ur post ,what is your opinion about this techno pack is it a good choice for minimal techno..."
Jose: "Marc, holy smokes. I just realized you did a write up on this. My deepest and most sincere gratitudes and..."
jimmy kipple sound: "but but but what was the song? "
Mia Zabelka: "Thank you for the review. Thank you for the review! "
5 Most Recent Posts
• January 2, 2018: This day marks the 6th anniversary of the Disquiet Junto.
• February 7, 2018: Start of the semester for the course I teach on the role of sound in the media landscape at the Academy of Art in San Francisco.
• December 13, 2018: This day marked the 22nd anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0316 / El Segundo / The Assignment: Record the second third of a trio, adding to a pre-existing track.
• 0315 / First Chair / The Assignment: Record the first third of a trio.
• 0314 / Cold Start / The Assignment: Record the sound of ice in a glass and make something of it.
• 0313 / Audio Journal 2017 / The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
• 0312 / Amplify/Magnify / The Assignment: Explore two ways in which sound is scaled.
... And there is a complete list of projects at disquiet.com/junto.
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