New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

What Sound Looks Like

An ongoing series cross-posted from

Some buildings are born as multi-unit dwellings. Others have multi-unit dwelling-ness thrust upon them. Amid that second subset are entrances that don’t live up to the challenge. This location has at least three additional addresses where there once was likely but a single residence. How you alert unit one to your arrival is unclear (since its button is missing entirely), as is how to access unit two (since its button is kaput). Adding to the mystery is the sequencing for units two, four, and three. The pièce de résistance isn’t the fact of that additional button for unit four, or even the quotidian instructions to “Hold for 3 seconds” (what happens if you hold longer?), or the readymade collage (RIP, James Rosenquist) where unit three’s identity is layered. It’s a one-two combo: First, how the “3 seconds” confuses the eye, carrying directly over from the 2 on the left, and briefly makes your brain think the center unit is, indeed, number three. Second, how the additional button for unit four is situated so as to serve as the noun in the instructional sentence — it’s virtually a doorbell emoji. As the shadows might suggest, this photograph was shot as the daylight was coming to an end, which seems appropriate to this location.

An ongoing series cross-posted from

By Marc Weidenbaum

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