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Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Disquiet Junto Project 0278: MacConnel’s Jingle

Interpret a work of contemporary art as a graphically notated score.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 1, 2017. This project was posted in the mid-afternoon, California time, on Thursday, April 27, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0278: MacConnel’s Jingle
The Assignment: Interpret a work of contemporary art as a graphically notated score.

Step 1: The image at the following URL is a photograph of Jingle, a 1980 work by the artist Kim MacConnel (b. 1946). The piece, which is approximately 8 feet wide and is made of acrylic on cotton, hangs at the Parrish Art Museum in the town of Watermill, New York, on the east end of Long Island.

https://disquiet.com/wp-content/uploads/2017/04/kimmacconneljingle.jpg

Step 2: Compose a short piece of music that interprets MacConnel’s Jingle as a graphically notated score.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0278” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0278-macconnels-jingle/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 1, 2017. This project was posted in the mid-afternoon, California time, on Thursday, April 27, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0278” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 278th weekly Disquiet Junto project — “MacConnel’s Jingle: Interpret a work of contemporary art as a graphically notated score”— at:

https://disquiet.com/0278/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0278-macconnels-jingle/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is a photo of Kim MacConnel’s Jingle, a 1980 work for acrylic on cotton, shot at the Parrish Art Museum in Water Mill, New York, on the east end of Long Island.

By Marc Weidenbaum

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