This photograph was shot in New York after I landed at JFK a few weeks ago for a short visit from San Francisco. We touched down late, later even than planned, and so my memory is a little foggy. I’ve pieced together the first stages of the itinerary from the timeline that is automated Google photos backup (a fairly dependable course of action in such circumstances). The timeline exception is when photos are added from other services, like those edited in Instagram or another app, or transferred over from SMS or email — and those would only appear reverse-anachronistically later in the timeline, anyhow, not earlier. In any case, I’m fairly certain that this was shot not on the intra-JFK train that shuttles you from your arrival terminal to where you gather your bags and head out into the world (maybe such a thing doesn’t even exist — like I said, I was pooped), but on one of the city’s subway trains. This shot is a closeup of a well-worn sticker fixed next to an older, larger, metal speaker/button combo labeled only in all-caps English: “Emergency Intercom,” with the additional instructions “To Talk / Press and Release Button / Wait for Steady Light.” (That last bit suggests itself for poetic treatment.) This instructional infographic — instructographic? — does a good job of connecting speaking to pushing, thanks to the red color coding, though I must note that in real life the red button is a far darker shade. The little bright green light does its assigned job of reaffirming the text, which is to say it’s just as confusing, especially in, you know, an emergency. What seems to be missing from the image is any sense of, well, emergency. The demeanor of the cartoon human seems to be that of someone serenading a favorite device (Her: The Musical, now on Broadway), not alerting authorities to the existence of a suspicious package. Also worth mentioning: the red, waveformy, RSS-logo-ish speaking pattern seems to treat the microphone (below) and speaker (above) as equals.An ongoing series cross-posted from instagram.com/dsqt.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0456 / Line Up / The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
And there is a complete list of past projects, 456 consecutive weeks to date.
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