The mystery of apartment 835 persists. One day this building was a modest, three-family dwelling. The next day a smudge had infected the neighborhood’s collective memory. To this day there is no consensus in the local community. The Old 35ers still gather once a month at a nearby cafe to debate the building’s comings and goings. The Voiders meet less regularly these days, only when some bit of 35er quasi-evidence requires a little actual effort to be refuted. The Voiders haven’t yet failed to rationalize every shadowy visitor, every piece of mail marked return to sender, every arrival of a public-utility vehicle. Neither have the 35ers failed to feed the Voiders’ sense of purpose. Tellingly to both sides, the building’s remaining residents haven’t pledged allegiance to either point of view. The bachelor dentist in 831 has kept mum, the Voiders presume, simply to preserve his business, unlike the tiki bar on the main drag that features a somber 835 flag on the roof and a Never Forget cocktail on the menu. The 35ers insist on a nefarious pact between the dentist and … well, there are splinter groups as to whether the landlord, the unidentified former tenant, or some other party entirely has scared 831 into silence. As for the ancient widow in 833, she speaks only a near extinct dialect from a remote region that neither China nor Russia have bothered to lay claim to. The Old 35ers and the Voiders agree on one thing: both groups focus their canonical teachings on the mysterious scribble next to the bottom button. The 35ers point to the consistency of the color with the other addresses. The Voiders early on brought in a paleolinguist from the city college to testify. She felt that the indent and shorter “x height,” among other Talmudic marginalia, firmly distinguished the markings from the other two. If anyone does still live in what was or wasn’t 835, they may very well have disconnected the button, as it’s the favorite dare among students at the neighborhood’s four elementary schools.An ongoing series cross-posted from instagram.com/dsqt.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• Autumn, 2019: I'll have a new piece in The Wire.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• March 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0412 / One Chord Wonder / The Assignment: Play an extended chord where the instrumentation of each note changes as the piece proceeds.
• 0411 / Wrapped Up / The Assignment: Record a piece of music as a gift for someone special to you.
• 0410 / Op Audio / The Assignment: What does the sonic equivalent of Op Art sound like?
• 0409 / Spooky 3.0 / The Assignment: Raise haunting music to the next level.
• 0408 / Fritiniency Tronics / The Assignment: Were "fritiniency" ("the chirruping sound made by birds or insects") a musical genre or technique, what would it sound like?
And there is a complete list of past projects, 412 consecutive weeks to date.
Tags8-bit app audio-games brands of sounds chiptune classical comics copyleft field-recording film free free download gadget generative i-hop IFTTTgram installation ios ipad iphone ipod ipod touch junto listening to yesterday live-performance modular netlabel noise recommended stream remix rock saw2for33third science-fiction score site-maintenance software sound-art sounds-of-brands studio journal this week in sound turntablism TV video video-games voice
Most Recent Comments
Patrick Glynn: "Hello, I’m looking forward to hearing what you’ve been listening to. Thanks, Patrick "
Michael Mennell: "ok, glad I could help. Do you have a link to that MicroFreak video btw? I had posted it to our..."
Michael: "Yesterday, this post had a video (mistakenly?) linked at the top featuring a MicroFreak. What was that?..."
Marc Arsenault: "Are you saying, it’s like a smurf’s arm with a plum in its fist? "
David Neale-Lorello: "Would Thomas Dolby be one of the heroes or the mascot? "