Dog politics is not a subject I’m particularly fluent in. I once almost moved to a place where dog rights, or perhaps better stated the rights of dog owners/guardians, were a particularly heated subject of discussion. I don’t think the fierce, antagonistic, and divisive language on either side of the debates necessarily turned me off the neighborhood. Then again, I can’t say it didn’t. In my neighborhood when I see dog droppings, I tend to guess it is due to a stray in the night, not a negligent human. My comfort only goes so far. Ferocious barking on a public sidewalk is not something I’ve yet to appreciate, rationalize, or otherwise acclimate to, especially when the barker is, shall we say, untethered. As I was reminded in the neighborhood I mentioned earlier, barking isn’t solely a chosen outlet of dogs; it’s also employed by their benefactors and their detractors. Matters of tone remind us that even the most well-reasoned arguments can suffer depending on how they are delivered. But arguments and how they’re delivered are just part of a debate, especially when that debate extends over a long period of time. In such cases, the victor may be the one who subtly shapes and shifts the vocabulary employed by both sides. Whoever, for example, sorted out that the opposite of “on leash” isn’t “unleashed” but, instead, “voice control” has arguably nudged the debate in the favor of the the canine crowd. Where “unleashed” suggests something out of control, “voice control” suggests that control is not merely the province of leashes. The term effortlessly dispenses with a binary. On the one hand, this specialized use “voice control” might seem like a tough sell in 2017, as voice control is becoming a common term related to gadgets that contain at least some modicum of artificial intelligence. Or perhaps those very robot tools are in the canine crowd’s favor. Maybe the phrase “voice control” today seems more powerful — more of a suggestion of conscious awareness and programmed response, more of a leash — than ever.An ongoing series cross-posted from instagram.com/dsqt.
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Brian Biggs: "Fantastic. There’s a Rube Goldberg analogy hidden there in the electronics. "
djbaroki: "Thanks for ur post ,what is your opinion about this techno pack is it a good choice for minimal techno..."
Jose: "Marc, holy smokes. I just realized you did a write up on this. My deepest and most sincere gratitudes and..."
jimmy kipple sound: "but but but what was the song? "
Mia Zabelka: "Thank you for the review. Thank you for the review! "
5 Most Recent Posts
• January 2, 2018: This day marks the 6th anniversary of the Disquiet Junto.
• February 7, 2018: Start of the semester for the course I teach on the role of sound in the media landscape at the Academy of Art in San Francisco.
• December 13, 2018: This day marked the 22nd anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0316 / El Segundo / The Assignment: Record the second third of a trio, adding to a pre-existing track.
• 0315 / First Chair / The Assignment: Record the first third of a trio.
• 0314 / Cold Start / The Assignment: Record the sound of ice in a glass and make something of it.
• 0313 / Audio Journal 2017 / The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
• 0312 / Amplify/Magnify / The Assignment: Explore two ways in which sound is scaled.
... And there is a complete list of projects at disquiet.com/junto.
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