New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Live Classical Remix

Snatched from the radio, rendered on a Digitakt

What might be a bowed cello or, perhaps, a deep horn opens this track solemnly. The quick initiation of a repeating fragment, the appearance of an audible seam where a loop ends and then again begins, makes it clear this is a remix. What it is is the musician taking a bit of classical music recorded off the radio, and through improvisation in one sitting layering and reworking it into something else entirely.

It is literally one sitting, which we know because the track appears as a video, documentation of a musician coming up to speed on a relatively new piece of equipment. The instrument is the Digitakt, a drum machine and sampler from the company Elektron. You don’t need to know the Digitakt’s interface in order to correlate some of the live actions with what we’re hearing. Often it’s self-evident, as when, around the 2:00 mark, one sample is slowed ever so slightly, or at the end when the volume decreases for a slow fade out.

The strings are the majority of the piece. They are sequenced to avoid any easy sense of metrical certainty, and they are copied and pasted well beyond the number of players present on the original recording. Remixing is like magic: smoke (filters) and mirrors (sampling). The result is a digital fantasia, material mixed as the memory might, favorite snatches on repeat, connections and contrasts between formerly sequential elements emphasized through simultaneity.

This is the latest video I’ve added to my YouTube playlist of recommended live performances of ambient music. Video originally posted on the corduroyfarmer YouTube.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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