My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Disquiet Junto Project 0300: The 300th Project

3 chords x 100 seconds

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 2, 2017. This project was posted in the late morning, San Francisco time, on Thursday, September 28, 2017.

Tracks will be added to the above playlist for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0300: The 300th Project
3 chords x 100 seconds

Step 1: For the 300th consecutive weekly Disquiet Junto project, choose a chord. Read the 6 steps of these instructions all the way through before making a decisions about instrumentation (Step 2) or recording (Steps 3 and 4). Understanding the intended end result will potentially influence those decisions.

Step 2: Choose three different instruments on which to play the chord selected in Step 1.

Step 3: Record yourself playing for 100 seconds that chord on the first of the instruments you chose in Step 2. You may want to record slightly longer than 100 seconds and edit back. Not every instrument has infinite sustain. You may need to use different techniques (strumming, sequencing, preparing, etc.) to achieve the 100 seconds. Consider those different techniques and the role they’ll have in the resulting sound.

Step 4: Repeat Step 3 for each of the other two instruments from Step 2. Consider how the three instruments, as well as the techniques you employ to play them, will correlate with each other.

Step 5: Layer the three tracks you have recorded. Perhaps fade in at the start and out at the end.

Step 6: Bonus round: Your piece is completed, but if you have the time and interest, consider subtly tweaking with filters and other means one or more of the three track you recorded.

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0300” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-the-300th-consecutive-weekly-project/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, October 2, 2017. This project was posted in the afternoon, San Francisco time, on Thursday, September 28, 2017.

Length: The finished track should be roughly 100 seconds long.

Title/Tag: When posting your track, please include “disquiet0300” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 300th weekly Disquiet Junto project (3 chords x 100 seconds) at:

https://disquiet.com/0300/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-the-300th-consecutive-weekly-project/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Greg Williams is used thanks to a Creative Commons license allowing for non-commercial use and adaptation:

flic.kr/p/9U68Ep

creativecommons.org/licenses/by-nc/2.0/

By Marc Weidenbaum

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