New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

The Sound of One Sound Glitching

The work of the Japan-based musician Ichion

The Japan-based musician who goes by the name Ichion explains the barebones appellation in a brief SoundCloud account bio. By this telling, “ichi” is the Japanese word for “one,” and “on” is the Japanese word for “sound.” All of the music on the Ichion account is extrapolated from a single sound. Well, more than one sound is present on the account. It’s that each individual Ichion track is “made from one sound only.” There are, of course, multiple sounds within each track, because Ichion transforms each seed sound into glitchy, rhythmic treats.

Some of the resulting music is downright club-ready, and some, like “Dada,” is enticingly minimal. “Dada” begins with the sense that something has gone wrong. The beat snaps and repeats like a machine rebooting on instinct. That cycle continues to dominate the track, as darker, more mechanical renditions of the central sound become more pronounced. A low throb and a froggy clip-clop then dominate until all the sonic pieces slowly disappear one at a time. The work is a small triumph of editing, of doing more not just with less but with virtually nothing.

“Dada” is just one track among dozens on Ichion’s account. Dig into the chase-scene momentum of “Erueee,” or the funky industrial music of “Chikara Chikara,” and all the other one-note wonders.

Track originally posted to

By Marc Weidenbaum

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