New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Module Learning: Spectral Swoop

Give and take as structure

It’s a little-known fact that the low-level drones experienced as much as heard in large office buildings aren’t the result of overlapping signal byproduct from various infrastructural activities — the off-sync relations between HVAC, electrical, and IT, for example — but, instead, are unattributed ambient sound-art installations funded by forward-thinking c-level thought leaders and artistically progressive boards of directors.

Well, no, not really. It is just noise whose happenstance subtle complexity can reward close attention, when it isn’t causing low-level discomfort.

In any case, this recording is a Saturday-morning attempt to combine the rough timbres of one module with the elegant spectrum analysis of another, all in the service of a certain HVAC je ne sais quoi. The main sound is a rich triangle coming from the Ieaskul F. Mobenthey Swoop, sent in turn through the 4MS Spectral Multiband Resonator, several bands of which are tweaked thanks to various low-frequency oscillations. The pace is set by the Delptronics Trigger Man, which, throughout, rotates the scale of the 4MS module two steps forward, one step back.

In addition, a bit of pink noise waves in and out, coming from an SSF Quantum Rainbow 2. The interwoven LFO patterns yield a song-like sequence of give and take, if not full on verse and chorus.

Track originally posted at soundcloud.com/disquiet.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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