If you like abstract electronic and other non-popular musics, you likely know this typeface in this weight and set at this column width. I’m excited to have been published in The Wire for the first time (the magazine previously had a nice write-up of the Disquiet Junto, and reviewed my book on Aphex Twin’s Selected Ambient Works Volume II). It’s a full-page review of the excellent Recombinant Festival (in San Francisco at Gray Area Foundation for the Arts, with satellite operations at the Lab and a gallery called Ohio). Highlights included Herman Kolgen, Rrose, Electric Indigo, Semiconductor, and the audio-visual duo of Drew McDowall and Florence To. (It’s in the March issue, with Stephen Malkmus of Pavement on the cover.)