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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

The Bells of Simenon

And a handy reminder

I had a few hours to kill last Saturday night before going to see the band This Is Not This Heat at the Chapel here in San Francisco, so I did what you do in such cases, which is to go to a library and take out a slim Georges Simenon novel. I picked up The Mahé Circle, which isn’t one of Simenon’s Maigret detective novels, but one of his even darker, detective-less books, the so-called romans durs (“hard novels,” as in hard on the reader). As a die-hard backpack-wearer who feels like he’s missing a limb on the rare occasion when he leaves the house with nothing over his shoulder, I prize books that fit in a jacket pocket (I also wanted a break from Neal Stephenson’s recent novel, Fall, which I started reading the day it came out, and I’ve been stuck at about 92% for weeks). Anyhow, chapter five of The Mahé Circle opens with this absolutely gorgeous bit of description:

Bells. Masses of bells plunging into a sky like the sea, making trembling circles there. The circles widened, collided, merged with each other, and then the bells, with the elegance of dolphins, began to plunge again.

While on the topic, should any of you be Simenon scholars, I have a question: The Mahé Circle was first published in 1946, but the English translation didn’t come out until 2014. Any explanation for the delay, besides the fact, of course, that Simenon wrote hundreds upon hundreds of books?

. . .

And while I spelled “Maigret” correctly up above, I hadn’t in the email edition of the This Week in Sound newsletter in which the piece first appeared. As penance, here is a handy reminder:

Magritte: Surrealist
Maigret: Realist

Magritte: favored and painted hats
Maigret: favored hats

Magritte: Belgian, born to Belgians
Maigret: French, created by a Belgian

Magritte: René
Maigret: Jules

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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