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Julia Kent Reveals an Unreleased Track

It's 2011 all over again, in a good way.

Been awhile since the cellist Julia Kent had a mention here, and thankfully there’s a new release, providing good reason. “Salt Point” isn’t truly new. It’s one of two previously unreleased tracks that will appear on the forthcoming expanded, vinyl edition of Kent’s 2011 album, Green and Grey, alongside the four tracks off Last Day in July, which came out the year prior to Green and Grey.

“Salt Pond” is a lush slice of what has come to be called neoclassical. That’s an interesting term in how it has transitioned over time. It used to mean sort of the opposite of what it now means. It once meant contemporary work that had obvious roots in the past, work that strove for a semblance to antiquity. Now it tends to mean work that explores the instrumentation and timbres of classical music, but in a distinctly modern manner. In other words, the “neo” has become something of a modifier; what once refuted modernity now embraces it. Often neoclassical means melodic minimalism, which is interesting since minimalism can be understood to stand in contrast with neoclassical.

Anyhow, the terms aside, “Salt Point” is a generous mix of pulsing drones and pointillist strings (Kent is foremost a cellist) that bring to mind the use of delays in dance music, albeit slowed to a lounge’s speed. At its climax, “Salt Point” almost loses itself, beautifully so, in a rapture of echoes. There’s also an official video for the track up on Kent’s YouTube channel, full of images from nature, overlapping and sometimes manipulated, not unlike her cello. It was made by Jola Kudela:

More from Kent at juliakent.com. The album is part of the November 29, 2019, Record Store Day. Details at recordstoreday.com.

By Marc Weidenbaum

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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