My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Algorithmic Art Assembly 2020

March 27-28, 2020, in San Francisco

I mentioned yesterday the 2019 conference I spoke at, Algorithmic Art Assembly, on the topic “The Woodshed Is a Black Box,” about music communities as algorithms. The lineup of the second AAAssembly conference, to be held in San Francisco on March 27 and 28, has just been announced. I’m almost certain to attend both days. Here’s the flyer:

I’m particularly looking forward to Curtis Roads (author of Microsound, among other valuable contributions to computer music), Chris Carlson (creator of the Borderlands Granular iOS app), Cassie Tarakajian (running a Max/MSP workshop), Hannah Davis (generative musician), Amy Alexander (longtime computer-based artist), and Ruardih Law (of the Broken20 record label). Details will surface at aaassembly.org and grayarea.org.

And while I’m at it, I should mention for San Francisco Bay Area people that my friend Thorsten Sideb0ard, who puts together AAAssembly, is hosting an event with RM Francis and Shatter Pattern on February 9, 2020, at 180 Capp Street. Details at the event’s Facebook page.

By Marc Weidenbaum

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