New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Late Early Punk (or Early Late Punk)

Dreaming of early Billy Childish

Hilobrow.com update: My piece on the 1970 film Colossus: The Forbin Project will be online soon as part of the Klaatu You series, in which writers “revisit their favorite pre-Star Wars sci-fi movies.” But first, I’ve got another short essay due up. The series Cabona Your Enthusiasm contains 25 posts about participants’ favorite punk songs (from between 1974-1983). I selected a very early Billy Childish track, “Dreams of ’63,” from the 1979 debut album of his band the Pop Rivets. None other than Mike Watt (of the Minutemen) has contributed to the series, along with personal favorites Deb Chachra and Douglas Wolk. Here’s the great lineup. Several of the posts are already online:

Mimi Lipson on Flipper’s “Sex Bomb” | James Parker on The Jam’s “Going Underground” | Dan Fox on The Cramps’ “Human Fly” | Adrienne Crew on Bad Brains’ “I and I Survive” | Devin McKinney on Romeo Void’s “Never Say Never” | Deb Chachra on The Buzzcocks’ “Ever Fallen in Love” | Mark Kingwell on The Demics’ “New York City” | Jessamyn West on Dead Kennedys’ “Kill the Poor” | Douglas Wolk on The Homosexuals’ “Soft South Africans” | Josh Glenn on The Freeze’s “This is Boston, Not L.A.” | Stephanie Burt on Sorry’s “Imaginary Friend” | Luc Sante on Public Image Ltd.’s “Public Image” | Miranda Mellis on X-Ray Spex’s “Oh Bondage! Up Yours!” | Adam McGovern on The Clash’s “Washington Bullets” | Mandy Keifetz on Germs’ “Forming” | Gordon Dahlquist on The Sex Pistols’ “Problems” | Anthony Miller on The Soft Boys’ “I Wanna Destroy You” | Deborah Wassertzug on The Mekons’ “Where Were You?” | Tor Aarestad on Gang of Four’s “Return the Gift” | Marc Weidenbaum on The Pop Rivets’ “Dream of ’63” | David Smay on The Rezillos’ “(My Baby Does) Good Sculptures” | Vanessa Berry on The Cure’s “So What” | Chelsey Johnson on The Slits’ “Typical Girls” | Lynn Peril on Crass’s “Smother Love” | Mike Watt on The Dils’ “You’re Not Blank.”

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
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