New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Grace Notes: Organs, House Style, Endless Now

From last week

Some tweet observations (twitter.com/disquiet) I made over the course of the past week, lightly edited:

▰ Watched an old British TV mystery in which the damning evidence turned out to be the church organ was heard without use of pedals, meaning some kid had been asked by the organist to unwittingly provide an alibi during the murder. For the record I discovered the plot while watching the episode. I didn’t watch because someone had told me the plot. That said, had someone told me the plot, I almost certainly would have watched.

▰ Pretty sure that’s the last time I’m gonna all-caps the title of the new Autechre album

▰ Chrisjen Avasarala from The Expanse books gets our current moment. (This is from Babylon’s Ashes, volume six in the series.)

▰ “The host has another meeting in progress” (Who can’t relate?)

▰ This tweet will have a small audience, but I’ll mention it was a letdown in the final episode of Fast and the Furious: Spy Racers that right after one of the characters names an op Operation Mindcrime the song we hear isn’t by Queensrÿche but instead by Age of Menace. There was a fun little Hamilton/@reneegoldsberry Easter egg (she plays Ms. Nowhere) toward the end of the episode. (Probably a lot more of those that I missed.)

▰ Me: Kinda wish we could push fast forward a bit.
Star Trek: Discovery: How’s 950 years sound?

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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