New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Ana Roxanne, Back in 2019

A live set in a railway terminal

There’s a great new album out from Ana Roxanne, Because of a Flower, which I’ve mentioned once or twice in the run up to its November 13 release. Definitely check it out for its layers of looped vocals and other forms of lush, often semi-verbal playfulness.

And while you’re at it, (re)visit this video of a half-hour set that she performed at Union Station in Los Angeles back in mid-May 2019. It’s a great show, benefiting especially from the way the vast hall expands upon her already well-documented penchant for echoing spaciousness. And note the facial expressions each time the train announcements threaten to disturb the fragility and serenity that the music has worked so hard to achieve. Ooo, and it closes with a cover of Smokey Robinson & the Miracles’ “Ooo Baby Baby” that would make Angelo Badalamenti cry for an encore.

Video originally posted at youtube.com. More from Roxanne, formerly of Los Angeles and currently of New York City, at instagram.com/frincess.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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