New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

A Gnostic Winter Solstice

And a new album by Brian Crabtree

Tehn, aka Brian Crabtree, released a new album just as the year was coming to an end, right on the Winter Solstice. Titled Gnostics, it’s a collection of varied electronically mediated pieces, ranging from syrupy drones (“Sleep”) to introspective beats (“The Second Circle”) to a dense, and seemingly unmolested, field recording (“Silence as Antimatter,” the album’s closing track).

There’s a looseness to the set, in part due to the different approaches all heard in one setting, and also within them, like how the slow chords of “Wide Awake” are interspersed with joyous shouts, as if people were playing frisbee right outside Crabtree’s recording studio and he’d left the window open. Similarly, “The Second Circle” breaks midway through for an unexpected burst of unexpected white noise.

In a brief liner note, Crabtree explains that Gnostics, the title taken from a book by French writer Jacques Lacarrière, is drawn from “a body of unfinished recordings.” Fortunately, there’s additional information in a dedicated discussion thread at the boards, maintained in coordination with, the musical technology company he founded with Kelli Cain.

Album originally posted at Crabtree lives in Delhi, New York. More at

By Marc Weidenbaum

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