New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Favorites: Raw Material, Black Samurai, Deft Esoterica

Heavy rotation, lightly annotated

A weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them.

▰ Raw material is often some of my favorite listening, and so while these short loops (collected as Field Notes 02) by Simon James French are intended as source audio for music-making, in fact the ambient tones, field recordings, and general droning-goodness are fine just unto themselves.


▰ Flying Lotus (Steven Ellison) scored the new Netflix anime series Yasuke, about an African-born samurai, and while the soundtrack album has plenty of cinematic instrumental hip-hop (“Using What You Got” is a particular fave), it also has chill for days (check out “Shoreline Sus” and “Enchanted”).


▰ Claude and Ola Aldous publish the zine Deft Esoterica, and they also make their own deftly esoteric music, on display on vol, nine tracks of rangy experimentalism, with an emphasis on noisy field recordings, fragile piano, and old-school scifi synthesizer.


▰ As I mentioned yesterday, I’ve never actually played Cyberpunk 2077, but I’ve spent an enormous amount of time with YouTube videos of its ambient street noise playing on loop. This video is a good example, though the title is a bit ambiguous, so possibly not all the sound is from the game itself:

By Marc Weidenbaum

Tags: , , , / Comments: 2 ]

2 Comments

  1. Mahlen S Morris
    [ Posted May 4, 2021, at 9:57 pm ]

    Flicking from point to point in that video, I’m pretty certain all of that is in-game sounds; it’s all quite familiar from my 100+ hours I spent in the game. The small camera movements strongly suggests the creator just found a spot and recorded the audio and video; the movements are that of the player’s character ambient breathing.

    • Marc Weidenbaum
      [ Posted May 4, 2021, at 10:40 pm ]

      Thanks so much. I have been listening to (and watching) these on repeat lately.

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

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