New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Yes, You Want to Listen to Bowed Glockenspiel

A Lullatone sample set that is great before it's even sampled

While it’s true that I think the internet excels especially at works in progress, where the audience can witness the given musician’s process, it remains also the case that work considered (merely? purely? solely?) raw material can be an end unto itself. Which is to say that while the best listening to recorded music is often when it isn’t even done, often the very best listening is the stuff that exists before the music-making can be said to have begun. Which is to say, some sample sets are listenable until themselves.

The material in the new sample set from Japan-based act Lullatone, all bowed glockenspiel, is a fine example. Just listen the pristine, soaring, organ-like beauty of the sample. And then, of course, try out the cooked versions, four reworkings of the source audio: ambient, distorted, granularized, and “reverse reverb.”

Set first released at

By Marc Weidenbaum

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