New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Everything Merges

Jeannine Schulz gets pecussive, gently

Jeannine Schulz had a prolific 2020, and while her most recent record dates back to the end of July, coming up on two months ago, there’s little reason to worry about a longer pause ahead. That was the brief Tiān, following shortly on When Fragments Align, both of which were self-released, and, back a bit further in March, Luminous, which came out on the Polar Seas label. Tiān, like Fragments before it, expresses a welcome expansion of the held-shutter, soft-focus, deep-field ambient music that Schulz has produced over the past couple years. It introduces light but certain textures, actual percussive elements that set and keep a pace. How those sounds, notably in the singsong “Xīn,” merge with the backing sound field, how their presence gently pushes the haze to the rear without formally drawing a line, is part of Schulz’s considered compositional accomplishment. A simple delay on a secondary pulse echoes into the distance, merging beat with atmosphere.

Schulz is based in Hamburg, Germany. Album released at jeannineschulz.bandcamp.com.

By Marc Weidenbaum

Tag: / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting