I do this manually each Saturday, usually in the morning over coffee: collating most of the tweets I made the past week at [twitter.com/disquiet](https://twitter.com/disquiet), which I think of as my public notebook. Some tweets pop up [sooner](https://disquiet.com/2022/09/02/local-resonance/) in expanded form or otherwise on Disquiet.com. I’ve found it personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself. And sometimes I tweak them a bit, given the additional space. And sometimes I re-order them just a bit.
▰ That’s strange. I experienced the second fire alarm of the trip, this time at 2:45am in Brooklyn. The prior time was just before 6am on Long Island. It’s an understatement to suggest that one’s brain processes a fire alarm differently at 2:45am than come daylight.
▰ The occasional “sorry I haven’t replied to your request for coverage” tweet
▰ Finally home in San Francisco after much much time in New York, and I was happy to see the newly installed fire hydrant on the corner — partially because it is kinda cool looking, but mostly because its existence means I missed out entirely on its noisy installation.
▰ Body in SF, brain still in NY. The next Disquiet Junto project goes out tomorrow, just later in the day than it would have were I not so bushed. :)
▰ Looking good, old timer. I mean, the shadow of that neon is so gorgeous.
▰ A combined play on a Brian Eno phrase and a John Cage visual motif is pretty much foundational Disquiet Junto territory.
▰ Been very much enjoying the series *My Name* on Netflix. Reminds me of some of my favorite Hong Kong triad/police movies. This moment is from a flashback in which a cigarette lighter, initially deemed too quiet, is pondered for its sonic component.
▰ K-drama fans: any recommendations for someone (i.e., me) who really dug *My Name*, 마이 네임 (i.e., contemporary, thriller, sensibility of solid Hong Kong triad/police dramas, very limited romance/humor)? Thanks.
▰ One of the best things about the graphic score projects we do on occasion in the #DisquietJunto is the resulting graphics, such as this one, where a participant (Marc Eisenschink) mapped the four circles from the shared score to the four knobs on the Teenage Engineering OP-1.
Before I hit pause on social media for the three-day weekend, one more example of how the graphic score was interpreted — in this specific case, mapped to a piece of software. Details on the project (Condensation Is a Form of Change), along with the original art, at [disquiet.com/0557](http://disquiet.com/0557).
