New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram
This Week in Sound

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

This Week in Sound: Mindless Honking by Motorists

A lightly annotated clipping service

These sound-studies highlights of the week originally appeared in the October 18, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound: thisweekinsound.substack.com.

HEAR, HEAR: We may smart at earbuds that cost over $200, but it says something in an industry when a $1000 price tag is considered a steal. Such is the case in hearing aids, which can run in the range $6000 but thanks to a recent change in the law (here in the U.S., that is) are no longer prescription-only, and thus are ripe for consumer-grade exploitation. Enter the Sony CRE-C10 (and, for $300 more, the CRE-E10). The devices are built for daily use for those with mild to moderate hearing loss,” writes Steve Dent at Engadget. According to the article, Bose and Lexie have also introduced OTC hearing aids. “Companies like Jabra have also leaped in. And last year, Sennheiser sold its consumer audio business to the hearing aid specialist Sonova.”

CONSUMPTION JUNCTION: A look at how audiobooks are influencing publishing and reading, including whether they’re more in competition with podcasts than with physical books (certainly the case for me, data point of one). This chart, from an article by Karl Berglund at publicbooks.org, assesses 504 commercial titles accessed by consumers on a Swedish platform called Storytel. Writes Berglund, “Interestingly, regarding audiobooks, all kinds of literature in the dataset share these temporal reading patterns.” (Found via twitter.com/kaveinthran.)

MIC DROP: “New technology developed as part of the Blue Boat Initiative, a research project organized by the MERI Foundation in Chile, may help reduce the negative impacts on marine life and ecologies,” writes Elías Villoro in Boing Boing. “In October, a two-meter-long buoy equipped with this technology and other sensors will be dropped into the Gulf of Corcovado, off the coast of Chile, an area busy with both whales and ships. Using LIDO, it will be able to detect whales within at least a 10-kilometer radius and automatically send an alert to Chile’s navy, which will, in turn send a message to nearby vessels, encouraging them to change course or reduce their speed.”

CITY BLIGHTS: There’s a comic in the Washington Post by Pepita Sándwich in which the artist talks about making an oasis of quiet in noisy New York City. This is just one panel from it. Read the whole thing (accessible even if you don’t have a subscription).

“RUUGH!!” TRADE: “Although onomatopoeias and interjections are an indispensable part of comic books, translators cannot occasionally find a suitable meaning for them, or they erroneously translate these sounds” — co-authors Zahra Ebrahimi, Mohammad Reza Esfandiari, and Forough Rahimi, in London Journal of Research in Humanities and Social Sciences, explore the translation of onomatopoeias and interjections in Persian translations of comic books. They looked at 83 sounds across six issues of The Walking Dead (the comic, that is — not the TV series based on it). (Thanks, Mike Rhode!)

HONK IF YOU LIKE SILENCE: There’s so much news about noise pollution that coverage of the matter in India alone could be a newsletter unto itself. I note an article by Garima Prasher in the Bangalore Mirror primarily for its inventive use of a familiar phrase from another content entirely as its title: “Right to Remain Silent.” Notes the author: “The park has a couple of important government offices whereby important proceedings take place; mindless honking by motorists disturbs these proceedings.” Maybe if we put more government buildings near public parks, then the government would do more to keep public parks quiet.

Subscribe to This Week in Sound: thisweekinsound.substack.com.

By Marc Weidenbaum

Tag: / Comments: 2 ]

2 Comments

  1. Jim
    [ Posted October 19, 2022, at 7:32 am ]

    I used to work at a hearing aid manufacturer and was astounded when I first heard how much those things cost. This is going to be huge for people with hearing loss, not only in terms of cost, but there are some problems that the six hearing aid manufacturers (at least there were six in the late aughts) never really make progress on, particularly around noisy environments. Maybe dropping the barrier to entry will help.

    • Marc Weidenbaum
      [ Posted October 19, 2022, at 7:55 am ]

      Yeah, it’ll be very interesting to see how this develops.

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe

  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • This is an image of three colorful rulers against a plain background. The rulers look normal at first, and then you realize they're sort of oddly colored. That's because they were made by an AI.
  • 0567 / Three Meters / The Assignment: Make music in 5/8, 6/8, and 7/8 time signatures.
    0566 / Outdoor Furniture Music / The Assignment: Imagine the ur-ambient Erik Satie musique d’ameublement concept en plein air
    0565 / Musical Folly / The Assignment: Make a piece of music inspired by this architectural concept.
    0564 / Octave Lept / The Assignment: Work an octave leap — or more than one — into a piece of music.
    0563 / Digital Magical Realism / The Assignment: What does this imaginary genre sound like?

  • Full Index
    And there is a complete list of past projects, 567 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts