
This feels vaguely like a political statement, a call-to-arms, or a scared-straight warning

This feels vaguely like a political statement, a call-to-arms, or a scared-straight warning

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.
Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.
Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the lllllll.co discussion thread.
These following instructions went to the group email list (via juntoletter.disquiet.com).
Disquiet Junto Project 0650: Doppler, Interrupted
The Assignment: Record a piece of music in which a passing siren blossoms into something else entirely
There is just one step this week:
Record a piece of music in which a siren — such as that of an emergency vehicle — passes by, across the stereo spectrum, from left to right, but as it passes through the center, it transforms into something else entirely, and that sound continues to evolve as it proceeds to the right and eventually fades into the distance.
Tasks Upon Completion:
Label: Include “disquiet0650” (no spaces/quotes) in the name of your track.
Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.
Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0650-doppler-interrupted/
Discuss: Listen to and comment on the other tracks.
Additional Details:
Length: The length is up to you. How long does it take to pass, and what happens after?
Deadline: Monday, June 17, 2024, 11:59pm (that is: just before midnight) wherever you are.
About: https://disquiet.com/junto/
Newsletter: https://juntoletter.disquiet.com/
License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).
Please Include When Posting Your Track:
More on the 650th weekly Disquiet Junto project, Doppler, Interrupted — The Assignment: Record a piece of music in which a passing siren blossoms into something else entirely — at https://disquiet.com/0650/

These sound-studies highlights of the week originally appeared in the June 11, 2024, issue of the Disquiet.com weekly email newsletter, This Week in Sound. This Week in Sound is the best way I’ve found to process material I come across. Your support provides resources and encouragement. Most issues are free. A weekly annotated ambient-music mixtape is for paid subscribers. Thanks.
▰ ELEPHANT TALK: Quite remarkably, it appears that elephants may very well have individualized names. “‘They have this ability to individually call specific members of their family with a unique call,’ said Mickey Pardo, an acoustic biologist at the Cornell Lab of Ornithology and an author of a study published Monday in the journal Nature Ecology & Evolution.” That’s from the New York Times article (gift link) about the Nature article, which notes the following conclusion: “if non-imitative name analogues were found in other species, this could have important implications for our understanding of language evolution.” And yes, as with so much such news these days (such as the marvels being unearthed — “unsea’d?” — about whales), the work involves artificial intelligence: “To decode these rumbles, Dr. Pardo and George Wittemyer, a professor of conservation biology at Colorado State University and chairman of the scientific board for the nonprofit Save the Elephants, analyzed 469 vocalizations made by family groups of adult elephant females and their offspring recorded at Amboseli National Park and the Samburu and Buffalo Springs National Reserves in Kenya.”
▰ LISTENING ABOUT ARCHITECTURE: Nick Sowers, a friend, recounts in an op-ed for archpaper.com how as an architecture student he visited Japan and had his ears opened to the role of sound in the design of buildings: “In the year following my building science course I visited Nijo Castle in Kyoto, Japan, home to Ninomaru Palace, a building housing a series of large tatami-floored rooms where shoguns would meet with advisors and visitors. Long hallways of bare wood floors surround the rooms and connect the outermost public spaces with private interiors. There is no way to walk on the specially attached boards without triggering them to squeak or ‘chirp.’ Our professor explained that the sound of the floorboards served as an ancient ninja proximity alert system. The legendary floors became known as the uguisu-bari, or nightingale floors.” There is far more about the topic in Nick’s article, so be sure to read it in full before drawing any conclusions. “Each visual component of architecture has a sonic counterpart,” he writes. “Think about a programmatic study, for example. Through the lens of sound (even our metaphors cannot escape the visual bias), we can have meaningful conversations about user groups, demands on space which are time-based, and ideal adjacencies among building users.”
▰ RING RING: Earbuds may have gone into overdrive, according to an NPR report: “According to the World Health Organization, over 1 billion young adults, ages 12 to 35, are at risk of permanent, avoidable hearing loss due to ‘unsafe listening practices.’ By 2050, the WHO predicts that 1 in 10 of us will experience ‘disabling hearing loss.’” A study, done in coordination with Apple, has revealed “that 1 in 3 participants are exposed to excessive noise levels.” (Thanks, Rich Pettus!) … Also part of that University of Michigan study was analysis of tinnitus; via the Verge: “More than 77 percent of people who participated in a big Apple-sponsored study have experienced tinnitus at some point in their lives, according to preliminary data. Around 15 percent say they’re affected daily by tinnitus, perceiving ringing or other sounds that other people can’t hear.” More work is ahead: “The study could ‘help develop new products to optimize your hearing experience and reduce the likelihood of hearing loss.’”
▰ BUZZ OFF: One type of pollination is called “buzz pollination” (which means “bees use vibrations to remove and collect pollen from flowers incidentally fertilising them”). A fellowship is available (UK students only) for the study of buzz pollination, seeking to answer questions such as “What is the relationship between vibration properties (amplitude, frequency, and duration) and pollen release and fruit quality across different varieties of soft fruits?” and “What are the properties of the vibrations used by buzz-pollinating bees while visiting experimental plots of different varieties of soft fruits?”
▰ SOUND BITES: Voices Carry: A deep dive into the science of how people might distinguish deepfake voices from real ones. ▰ Head Banned: Ella Glover, in the Guardian, writes about ditching her headphones and learning to really listen. ▰ Star Struck: NASA, back in February, released Listen to the Universe, a half-hour documentary about its experiments with sonification. ▰ Hops to It: The Belgian beer Leffe’s sonic brand draws from its abbey history. ▰ At Play in the Field: Mat Eric Hart, in Sonic Tapestries, writes about exploring the landscape beloved by Cézanne — but through sound rather than painting. ▰ Keeping Score: Are video game companies “leaving money on the table” when it comes to game music? ▰ Multi-Core: Apple announced a lot this week, including Enhanced Dialogue (improving voice isolation) and new approaches to captions, haptic sound in Apple Music, and new “gestures” for AirPods. ▰ Blade Runner: The New York State Senate has approved a “noise tax” on helicopters.
The cover image for this issue is by Bernard Dupont and used under the Creative Commons Attribution-Share Alike 2.0 Generic license.
38.69: Mean number of decibels in Oklahoma City, Oklahoma, which has been judged the quietest large city in the United States
4: Number of decibels the city of Paris hopes to cut as it tackles noise pollution
21,000: Estimated number of noise complaints about aircraft made by one Perth resident over the course of a year
Sources: Oklahoma: insidermonkey.com; Paris: msn.com; Perth: thewest.com.au.
▰ SONIC SIGNATURES:
“The roll-out had clearly been long prepared. There were Black Horizon explainers for every level of interest and education: a tranche of science papers and political briefings for the most engaged; documentaries fronted by avatars evoking a century's worth of trusted and beloved science and natural history communicators, their voices carrying digital echoes of Sagan's plosives and Attenborough's aspirates; comic books and animations for children of various age-groups; pictorial leaflets, even, for the dwindling but still globally significant strand-line of illiterates.”
“Sagan’s plosives and Attenborough’s aspirates” — I love it. That is Ken MacLeod in Beyond the Hallowed Sky, the first book in his Lightspeed trilogy. And l love this reminder that included among the sounds of nature are the trademark sounds of the people who tell us about nature..
. . .
▰ PHONE ODE:
"So much past arrives on my screen
coupled with soft pings in the pocket
strange temple bell
And in these images pass chords of faces
of which I know next to nothing
while all fall I ride the 63 line from Moynihan to Rhine cliff
alongside passengers slumped with buds in their ears"
That is about a quarter of the poem “I Can’t Stop” by Jenny Xie, published in the June 20, 2024, issue of The New York Review of Books.
. . .
▰ WHALED AT:
“The girl wriggles out of his grasp, stands up straight on tiptoe, and makes a sort of moo-meow sound while doing a slow pirouette. It's her whale impression. I laugh, and she looks at the screen with bright eyes, enjoying the attention. She makes the whale-song again, this time spinning away, her feet slipping on the kitchen floor. The moo-meow fades into the next room.”
That is Robin Sloan writing in his 2012 novel Mr. Penumbra’s 24-Hour Bookstore, which I reread this past week in advance of his brand new novel, Moonbound, which I picked up at Green Apple Books earlier this evening (after dinner around the corner at Spices). In this scene, the story’s protagonist-narrator is on a video call with someone. The girl is that someone’s daughter. When she learns that the narrator lives in San Francisco, she announces, “I like whales!” Her dad encourages her by asking, “What sound does a whale make, sweetie?”