Sound Ledger¹ (Kenya, China, Cursing)

Audio culture by the numbers

23,000: Number of nightclub employees estimated to be laid off due to noise ordinances coming into effect in Nairobi

100,000,000: Number of streams a single human-mimicking AI vocal track had gotten on Tencent Music in China as of mid-November 2022

4: Number of syllables (L, R, W, Y) generally missing from curse words in several otherwise seemingly unrelated languages

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¹Footnotes

Key: Nairobi: [nation.africa](https://nation.africa/kenya/news/nairobi-night-clubs-owners-23-000-jobs-sh1-6bn-to-be-lost-over-sakaja-ban-4037726). AI: [musicbusinessworldwide.com](https://www.musicbusinessworldwide.com/over-1000-songs-human-mimicking-ai-vocals-have-been-released-by-tencent-music-in-china-one-of-them-has-over-100m-streams/). Curses: [nytimes.com](https://www.nytimes.com/2022/12/06/science/swear-words-sounds.html).

Disquiet Junto Slack: Rules, Encouragements, and Etiquette

These are reproduced from the Disquiet Junto Slack

The Disquiet Junto Slack is a Slack for people who participate in the Disquiet Junto music community projects (see: [disquiet.com/junto](https://disquiet.com/junto)), which are based around the idea of using creative constraints as a springboard for productivity.

If you’re new here, you may have noticed there’s a lot of channels. It’s recommended to start out in #gear #fave-current-listen #general #my-latest-track #technique and #random — and, of course, #junto-projects-thread. We don’t pay for this Slack, so comments disappear into the ether at some point. Consider that a feature, not a bug.

By their very nature, “rules” tend to define what not to do rather than what to do. With that in mind, before getting to such rules, here are some encouragements:

– share your music
– listen to and respond to other people’s music
– meet people locally and play together
– feel free not to subscribe to every channel here
– try to think in terms of technique rather than gear
– try to think in terms of gear you have rather than gear you (sense you) want

The standard BBS rules apply about playing nice, about not being mean to (or about) people who are different from you, and about how disruptive behavior isn’t rewarded. If you found yourself instinctively interpreting that statement as a coded sign of some restraint on your civil liberties, then this may not be the Slack for you.

A few other points:

1. Privacy: What happens here stays here. Don’t go repeating it elsewhere without folks’ permission.

2. Topics: If you wanna talk about politics for its own sake (that is, not in the context of the other threads, where politics might relate in some manner to art or music or coding, etc.), there’s a channel for that, #wonks-regulars, and it’s opt-in (i.e., you’re not immediately subscribed upon joining). Please note that you aren’t to join — which means neither read nor contribute to — that channel until a full six months after joining this Slack. There are plenty of places to discuss politics on the internet. It’s nice to have a place where you know you won’t be bombarded by it.

3. Bootlegs: This isn’t a place to freely share commercial material — such as music, movies, software, etc. — in a manner that might be described as illegal. There are plenty of bootleg havens on the internet. This isn’t one of them.

And that about covers it. Thanks for participating.

My Review of Wetland Project

In the new issue of The Wire

This is an excerpt from my article about a book called Wetland Project

My review of the new book *Wetland Project* — which features writing by William Gibson, Hildegard Westerkamp, Elizabeth May, Philip Kevin Paul, and Susan McMaster, among others — is in the new (January 2023) issue of *The Wire*. Snippet here. Paywalled. (And major thanks to Bruce Levenstein, who told me about the book in the first place.) More at [wetlandproject.com](https://wetlandproject.com) and [figure1publishing.com](https://www.figure1publishing.com/book/wetland-project/).

Carl Ritger’s Environment Sounds

On the engrossing Glance White into the Dark

Carl Ritger closes the year with four large, encompassing, engrossing sound environments that get ever more brutalist as the album containing them draws the listener in. Their procession on *Glance White into the Dark* is, like the music itself, expertly glacial, profoundly still. This is slow-motion music for slow-motion listening. By the time Ritger gets to “Coiling the Golden Loop,” all boiling cauldron, melty warbling melody, and woolen feedback, the listener has already made way through simpler, more placid surroundings — the droning, whistling realm of “Aspen Phase,” the static-laden, watery, echoing facets of the suite-like “Linger at the Well,” and the transformed bells that resound throughout much of “Hail, Isais!” Ranging in length between nearly 23 minutes and just shy of half an hour, each of the four pieces is less a composition than a texture map, less a musical recording than an assemblage of layered elements left to find their own uneasy peace.