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Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

studio journal

Video, audio, patch notes

Behind the Machine

Lost in the wires

There haven’t been any Buddha Machine Variations in a few days, but there’s been a lot of activity, some of it futile (thus far), but progress is being made. This is a cable intended to connect the ER-301 module to a 16n faderbank via i2c, a nearly 40-year-old data transfer system (see wikipedia.org). I use the word “intended” because so far the connection is befuddling me.

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Walk Away

Without losing the functionality

Customary rear view of printed circuit board before the device returns to the generous pool of second-hand synthesizer modules. This is the Monome Walk (Monome being the manufacturer, Walk the module), so named because it lets you attach two foot pedals to send triggers and the like. It’s a great module, but I got two smaller modules that accomplish much of what it is useful for, and it’s time for a change.

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Face Lift

Face plate, that is

This isn’t an ornamental choice. The black face plate will allow me to put the silver-faced module horizontal (rather than vertical) into a new, small modular synthesizer case (the one seen in the video I posted two days ago).

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Time with the Mux

Up and away

This is the rear of another module I’ve enjoyed but am putting back into the pool. It’s the Befaco Muxlicer, and in many ways it did exactly what I wanted, sorting through variations, treating disparate elements as equals. But I’m going to try some other approaches to the same end, and see what comes of it. I may end up with one of these again down the road, but for the time being I’m keeping my setup fairly compact. Before sending it off, I wanted to capture its beautiful printed circuit board.

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Buddha Machine Variations No. 36 (Glass Tiles)

A series of focused experiments

Been a few days since the previous Buddha Machine Variation. The camera died, after it had stopped playing nice with audio. And I got a new, smaller synthesizer case (from Pulp Logic, who were super helpful with plotting it out). This is the first time I’ve ever used an expression pedal with my synth, thanks to one of the three tiles in the upper left corner of the box. (“Tiles” being a term for the shorter modules seen top and bottom here, above and below the ER-301 module.) Very simple little patch. Just a proof of concept. The tiny foot (well, hand) pedal is triggering the recording of a microloop (400 or so milliseconds) of the choral audio coming from the Philip Glass 80th-birthday edition of the Buddha Machine. The expression pedal is varying how much we’re hearing the inbound Glass loop, and how much we’re hearing the microloop. If you’re wondering where the Buddha Machine is sending its audio into the synth, there are jacks in the side of the case itself.

For further patch-documentation purposes, here are two shots of the synthesizer:

Video originally posted at youtube.com/disquiet. There’s also a video playlist of the Buddha Machine Variations.

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