Scratch Pad: Questions, URLs, Milestone

From the past week

I do this manually at the end of each week: collating (and sometimes lightly editing) most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. Some end up on Disquiet.com earlier, sometimes in expanded form. These days I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. I take weekends and evenings off social media.

▰ I’m on many Discords related to sound/music, too many to track closely. I pay attention to 12k and Linear Night Market. I just signed up for Wildfire Laboratories. I peek Earth Modular, Decibels Sonification, Omri Cohen, and DivKid. Any strong recommendations (more related to sound than music)?

▰ Reeder / Feedly / iCloud question: if you use Reeder, do you (still) use Feedly, or is iCloud sync sufficient? Seems like iCloud would be. Thanks.

▰ Do itch.io sites not natively have RSS feeds?

▰ Nice. My sound studies newsletter, This Week in Sound, has passed the 4,000-subscriber milestone.

▰ Looks like threads on Threads are broken or at least malfunctioning, maybe worse than on Bluesky. I added two posts to a thread of graphic novels I’ve read in 2024, and neither of those posts shows either under Threads or Replies if you go to my /@dsqt page on Threads. They’re only visible in the original thread. On Mastodon lengthy threading works fine.

▰ I now understand that tote bags are bumper stickers for pedestrians

▰ I’m enjoying Georges Perec’s Life: A User’s Manual but the lists do get to be a little much after awhile

▰ It didn’t occur to me to check usage of the acronym (actually initialism) “TWiS” when I began using it to abbreviate This Week in Sound. Fortunately there are few (six on Acronym Finder), none NSFW. Oddly, one’s from KDVS, where I did a radio show in the early ’90s.

▰ Speaking of newsletters, the weekly Disquiet Junto project announcement has fully moved to Buttondown (from TinyLetter), at juntoletter.disquiet.com, and the automated send worked well. I can now set the project post on disquiet.com and newsletter to go live while I’m asleep, right at the start of each Thursday (Pacific time).

▰ I’m routinely receiving email newsletters where the subject line has nothing to do with the specific material in the newsletter, from authors speaking at bookstores to news items amid current headlines. I can’t tell if this is a database error, a UX hitch, or a bizarre “engagement strategy.”

▰ I was in the middle of two novels. Now I’m in the middle of three. Well, I’m well into three.

▰ I finished reading four graphic novels this week: Léa Murawiec’s The Great Beyond, a fable about social media and pursuing fame, echoing fabulists like Dash Shaw, Winsor McCay, and Bryan Lee O’Malley. A simple story told in complex way. Throughout I thought, “Please don’t end [that way].” It did. Still, breathtaking at times — comics as parkour. Volume 1 of Jeff Lemire’s horror series Gideon Falls, art by Andrea Sorrentino. The individual issue covers may be my favorite part. And volume 2 of Gideon Falls, in which past and present — near and far, trauma and fate — all connect. This is a horror comic, so not exactly a big surprise. Volume 11 of The Fable, a manga about a hitman ordered to take a year off killing: It’s clear the plan wasn’t good, as too many factors make it impossible for him to be anonymous, and he ends up turning into something akin to a superhero (the action in the film adaptations is quite something at times). Like a lot of thrillers, it has a bit of a stacked deck thing happening.

Tags “Я” Us

A little UI alteration

Made a little tweak to Disquiet.com regarding tags. Tags now yield simpler index views (rather than a long page of the full text of each article), so it’s easier to find (and flip backward through) interrelated material.

Examples:

https://disquiet.com/tag/live-performance/
https://disquiet.com/tag/junto/
https://disquiet.com/tag/field-recording/
https://disquiet.com/tag/comics/

There’s also, at the bottom of the page, a different system for going backwards and forwards through pages. That approach will likely roll out to the rest of the website in the near future.

Disquiet Junto Project 0633: Voice Swap

The Assignment: Rerecord all or part of one of your tracks using just your voice.

Note: This week’s project instructions are considerably more concise than has been the case in the past. What was previously around 580 words (not including the project steps and any other project-specific information) is now closer to 280. Like a contract, the project template had expanded over time — a clause here, a rule there — as I added clarifications based on participant input and on my observations about activity. The newly refined Disquiet Junto project template loses nothing and is more readable, meaning more people may actually read it, and it will — I hope — be less off-putting to newcomers.

. . .

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks appear in the lllllll.co discussion thread.

These following instructions went to the group email list (via juntoletter.disquiet.com).

Disquiet Junto Project 0633: Voice Swap
The Assignment: Rerecord all or part of one of your tracks using just your voice.

Step 1: You’re going to attempt to rerecord something you’ve done before, this time using your voice as the source audio. Think of a track you’ve recorded previously that might recommend itself for such an adaptation.

Step 2: Needless to say, this won’t be particularly easy. But best you can, redo the track you selected in Step 1 by replacing the source audio with your own voice. (And, of course, if you can’t do it completely, use your voice for as much of it as you can. And you can still process your voice, certainly.)

Tasks Upon Completion:

Label: Include “disquiet0633” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0633-voice-swap/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. 

Deadline: Monday, February 19, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 633rd weekly Disquiet Junto project, Voice Swap — The Assignment: Rerecord all or part of one of your tracks using just your voice — at https://disquiet.com/0633/

The image associated with this track is a photo by Ricardo André Frantz of Luca della Robbia’s 1431 work, Cantoria — https://en.wikipedia.org/wiki/File:Cantoria_luca_della_robbia22.jpg

Used with a Creative Commons license — https://creativecommons.org/licenses/by-sa/3.0/deed.en

Plotting

An ongoing series cross-posted from instagram.com/dsqt

It occurs to me that this notepad page isn’t far from what the pre-Disquiet.com website I had looked like (not that these scribblings are design notes — they’re simply about subspaces and how those spaces correlate). The pre-Disquiet site was a /~mrcwdnbm folder courtesy of my ISP. That site predated the Internet Archive, so I don’t think there’s any vestige of it out there. The site’s interface was a list of items on ruled yellow paper, and I learned how to use mouseovers so it could function as an interface. Those were the days. That would have been around 1994. Anyhow, again, this new image isn’t a design document, just me sorting out current and hypothetical satellite activities.